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Downloaded from
YTS.MX

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[soft music]

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Official YIFY movies site:
YTS.MX

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[birds tweeting]

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[bird cawing]

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[soft music]

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[soft music continues]

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[waves rolling]

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{\an8}So. .

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{\an8}what's significant
about this is that. .

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{\an8}this is, like. .
this is the golden section,

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the famous ratio.

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These. .

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the difference between
all these curves and then. .

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then the person. .

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supposedly
the human body is. .

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is in the ratios
and the relationship

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to the parts
of the human body.

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Um. . yeah,

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it has some
special significance,

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but you can see that his. .
top of his head

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and the size of his head is. .

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everything fits.

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In terms of the ratios.

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So, an unknown man. .

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an unknown man at the center.

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He just showed up.

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He walked to the right spot.

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Stood there for five minutes.

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Got some pictures.

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Then he walked out, and then. .
and then it washed away.

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You can see it.

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When I ran to the top
of the cliff, I thought

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that I would not make it
to that top

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before it washed away,

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'cause the tide was
really coming in.

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So, I finished over here.
Way over here.

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And it was like, okay,

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I gotta run fast,
and I ran out there

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and just got the picture
before it washed away.

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And this was done. .

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this was done
in the last century.

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This is from the late '90s.

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[soft music]

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JANE ROSEN: There on the beach
is this guy with a rake,

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and he's making
a giant Fibonacci curve.

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and I go down,
and I say,

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{\an8}"Uh. . what you doing?"

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He stops holding the rake,

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and tears are
coming down his face.

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I don't think, at that time,

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he thought of himself
as an artist.

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I don't think
he thought about

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why or what he was doing.

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He just had to do it.

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JIM: I started drawing
in the sand in 1994.

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I made one fish
about 15 feet long.

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It was in the evening.
It was low tide in the winter.

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And the light hit it
so that it really popped.

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And then I covered
the entire beach.

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I drew houses and people

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and dinosaurs
and clouds.

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And then I climbed a cliff.

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And then I said to myself. .

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because I was
the only one on the cliff. .

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[laughing]

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I thought to myself,

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"This is what I'm gonna do
for the rest of my life,

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is I'm gonna draw on the sand. "

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[soft music]

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DAVID KINCH:
You know, the thing I find

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most fascinating about Jim is

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what I know
the least about,

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and that's the sand paintings.

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{\an8}I think the sand paintings
are. . astonishing.

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It's simple, and it's pure,

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and it's gorgeous,
and it's geometry.

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BILL: It's just a way of being
light-footed on the environment,

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and it's really a neat idea

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{\an8}to tread lightly
and do art at the same time.

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JIM: I wanna say,
I mean, I'm gonna testify

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right now that
my brothers told me. .

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my brothers
that are sane told me

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that I would never amount
to anything.

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That I would never
have success in life.

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ADAM REPLOGLE:
He is a trendsetter

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on a core underground level.

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{\an8}I think, in the art world,

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{\an8}what he was doing with his art

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{\an8}has gotta be
just mind-blowing,

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and so I think
it's gonna take a long time

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for people to understand
what he's been able

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to create and make.

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And what's bizarre. .
he'll start out

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with just one
little circle sometimes.

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Next thing you know,
it's so out of whack,

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and it's perfect!

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So I'm fascinated by that,
and it just sort of

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opens my mind up
to think that, you know,

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it is possible for humans
to do things

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that are unexplainable.

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ALMOND ZIGMUND: There's
something incredibly cathartic

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about watching him
build something

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that is so massive in scale

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and then walk away,
knowing that he's done it,

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that it's completed,
that it lives in the world

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{\an8}for a certain amount of time,

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{\an8}and that there is
nothing left to do after that.

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PETER MEL: The king,
as we all called him, you know?

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He was Jim Denevan.

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{\an8}He was the guy that, um,

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{\an8}you know,
would be out at the point,

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and he would know
the exact time to surf.

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He would know
what the wind was doing.

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{\an8}He would know
what the swell was doing,

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and this was pre-internet,

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but somehow he had
this way of knowing.

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And then now, to see
where he's developed his career,

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you know, in my mind,
I look at it,

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and I'm just like,
that was his beautiful mind

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that was able to allow him
to see and do these art things,

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and then, with the food,
he's, you know,

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again at the forefront
of something that. .

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he was doing this stuff
years and years ago.

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Let's use the local surroundings
and the local farmers.

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Now it's cool, but he's been
doing it for years, so.

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I almost feel like he could be
a bit of an alien in a way.

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HOWIE KAHN:
I first heard about him. .

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{\an8}I was having dinner
in Portland, Oregon.

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And I said,
"Oh, man, I just. .

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"I wish there was someone
who was more mobile.

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"Somebody who was traveling
from place to place.

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"Somebody who was cooking

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"in a way where
there wasn't a restaurant.

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"Somebody who was cooking
out of the context

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of what we know,"
and someone goes,

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"There's a guy with a bus,"

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it's like,
"and he draws in the sand.

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And he's a really great chef. "

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This is the story
I've been waiting for.

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And so I said,
"What's his name?"

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"Jim Denevan. "

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DAVID: Part of
the genius of Jim is

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just that original idea
that he had, you know?

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There's been
a lot of permutations of it.

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But just, like,
the original pure idea,

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{\an8}you know?
We're gonna go to farms,

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{\an8}we're gonna cook dinner,

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we're gonna do it in a field,

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and people are gonna come
and eat the food.

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I mean, it's the original idea,
you know, it's like. .

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it's so simple, but no one
really thought about it before.

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{\an8}[music]

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{\an8}HOWIE: The phrasing
"farm to table"

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hadn't really
even happened yet, at all.

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This wasn't farm to table,

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this was table
at the farm.

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"Outstanding in the Field"

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combines
an extraordinary meal

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set in natural surroundings

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with a long,
beautiful table

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that's specific to the place.

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He'd think about
how it's running parallel

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to a shoreline
or how that line works

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in respect
to a nearby cliff.

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And then there's a chef.

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Sometimes it's somebody
very notable.

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Sometimes it's someone
who's a little bit lesser-known.

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It's always someone who sort of
passes the Jim taste test.

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He's a chef,
he knows how to cook.

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I've seen him cook
the dinners himself.

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There's a drawing component

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when there can be;
if there's a surface

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on which he can draw,
he will.

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He'll try to bring together
as much of himself

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into one experience
as he can every time.

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[music]

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Those piles of ash out there. .

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- Yeah.
-  . are the remains

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of the apple orchard.

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We should go walk
around the field a little bit.

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This is definitely. .
I mean, this is. .

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this is all about
the inspiration

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for us eating in the field,
this is definitely

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the center of the interest. .

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of. . of creating something like
"Outstanding in the Field. "

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Turn this wormy one around?

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Yeah, there we go,
look at that beautiful

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apple bunch.

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This orchard,
I took care of it for 30 years.

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The workers called it "la joya,"
like the jewel, you know?

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And this is
where Jen and David Kinch had

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the first dinner.

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That was a memorable one.

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DAVID: I agreed
to do this dinner,

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and we were gonna cook the pig,
and the spit didn't work,

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and we couldn't get
the pig on it,

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and it was midnight,

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and Jim proceeds
to go immediately to sleep.

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So, I was up all night,
and as soon as he went to sleep,

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ah-whoo!

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You know?
Roasting meat

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in the middle
of a dark field.

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All the critters started
coming out, you know,

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looking out,
there's eyes. . you know.

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That was my first "Outstanding
in the Field" dinner.

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JIM: I wasn't
all that interested

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in cooking at first,
in the sense of

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the task of cooking,

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because it was really
just a vehicle

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to go surfing.
It's a night job.

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You can surf in the day.

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I worked at shitty restaurants.

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At a time when food culture
or the idea of

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food as culture
in the United States. .

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was no fucking way.

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It didn't exist.
It didn't happen.

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I went to Europe, lived there,

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I was a model.
And traveled a lot

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between living in Milan
and Paris and other places,

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and. . culture of food was
interesting in Italy.

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My brother's a farmer,
but they don't really. .

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like, there's really
not a connection

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between what he does and. .

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and those restaurants
I was just working at.

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Then I came back,
and I immediately got a job

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at a. . a place
where, um. .

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Catherine Faris,
she lived outside Rome

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for four years
and studied the food there.

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She came back
to the United States,

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opened a restaurant,
she hired me,

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straight from Europe,
and then I became

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the chef there, I was 26,
like, pretty quickly

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I was running the show.

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[mooing]

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CATHERINE FARIS:
When I first met Jim,

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{\an8}I was looking for someone that

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{\an8}didn't have a lot of
experience, necessarily,

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{\an8}but had a lot of passion.

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And Jim came

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to the door
of my restaurant one day.

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He was really quiet, but when
I started to talk to him

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a little bit about
what we did at the restaurant. .

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menus changed every week,
and this is 30 years ago,

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so this is very new
in California. .

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and I could just see that
there was something resonating,

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like in a really big way;
he was really into it.

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And so I think

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it was part of the right time
at the right place,

250
00:14:03,730 --> 00:14:05,774
connecting around this idea
that was about

251
00:14:05,857 --> 00:14:08,068
how it can be,
and clearly

252
00:14:08,151 --> 00:14:09,527
that's what he's doing now.

253
00:14:09,611 --> 00:14:11,363
[static fuzzing]

254
00:14:11,446 --> 00:14:13,782
{\an8}[announcer speaking Japanese]

255
00:14:16,659 --> 00:14:19,245
{\an8}What I'm trying to do is
provide a place

256
00:14:19,329 --> 00:14:20,955
{\an8}where people can learn
about the food

257
00:14:21,039 --> 00:14:23,208
{\an8}and where it comes from,
and also, of course,

258
00:14:23,291 --> 00:14:24,709
{\an8}enjoy a delicious meal.

259
00:14:24,793 --> 00:14:26,419
[static fuzzing]

260
00:14:26,503 --> 00:14:27,921
JIM: There's a great number
of people that are

261
00:14:28,004 --> 00:14:29,881
excited that
things are on the fly,

262
00:14:29,964 --> 00:14:32,175
that it's not predictable,
that it's not a catering event.

263
00:14:32,258 --> 00:14:34,010
That they don't see
the same old shit

264
00:14:34,094 --> 00:14:35,637
like the same rental plates

265
00:14:35,720 --> 00:14:38,223
and rental tables
and rental chairs

266
00:14:38,306 --> 00:14:42,018
and the same, you know,
appetizers and such.

267
00:14:42,102 --> 00:14:45,230
We're doing it, you know,
right here and now.

268
00:14:46,231 --> 00:14:48,108
{\an8}First of all,
I'm considering the. .

269
00:14:48,191 --> 00:14:51,486
{\an8}- the size of the space. .
- [translator speaking Spanish]

270
00:14:51,569 --> 00:14:53,947
-  . what fits. .
- [translator continues]

271
00:14:54,030 --> 00:14:56,783
- [translator continues]
-  . to the sculptures,

272
00:14:56,866 --> 00:14:59,744
- the space is rectangular. .
- [translator continues]

273
00:14:59,828 --> 00:15:03,832
[translator continues]

274
00:15:03,915 --> 00:15:07,001
JIM:  . the gestures
of the sculptures, so. .

275
00:15:07,085 --> 00:15:10,338
[translator continues]

276
00:15:10,422 --> 00:15:14,509
rigidity, but also,
there's the flowing curves.

277
00:15:14,592 --> 00:15:18,179
[translator speaking Spanish]

278
00:15:20,306 --> 00:15:21,641
[static fuzzing]

279
00:15:21,725 --> 00:15:24,019
{\an8}[soft music]

280
00:15:33,153 --> 00:15:34,988
DAMANI THOMAS:
When I met Jim Denevan,

281
00:15:35,071 --> 00:15:37,407
I think it was,
like, in '96 or '97,

282
00:15:37,490 --> 00:15:40,452
and that was
the beginning for me,

283
00:15:40,535 --> 00:15:43,455
{\an8}with the farm dinner
situation and. .

284
00:15:43,538 --> 00:15:45,790
to be able to bring a chef

285
00:15:45,874 --> 00:15:50,086
with farmer and wine-makers
and fishermen

286
00:15:50,170 --> 00:15:52,464
and, you know,
seeing the patrons

287
00:15:52,547 --> 00:15:54,716
just, like, really
enjoying themselves.

288
00:15:54,799 --> 00:15:56,384
It was novel, you know,

289
00:15:56,468 --> 00:16:00,555
to be able to have
a fancy meal on a farm.

290
00:16:05,769 --> 00:16:07,520
HANS HAVEMAN:
We are a sustainable

291
00:16:07,604 --> 00:16:09,647
fish company here in Santa Cruz.

292
00:16:09,731 --> 00:16:11,733
{\an8}Working really hard to bring in

293
00:16:11,816 --> 00:16:14,235
{\an8}local, right out of the bay

294
00:16:14,319 --> 00:16:16,780
salmon, halibut,
sea bass,

295
00:16:16,863 --> 00:16:19,157
caught from our local people,
and get it to the chefs.

296
00:16:19,240 --> 00:16:22,827
We try to bring people really
good, sustainable product.

297
00:16:25,163 --> 00:16:27,123
{\an8}We got asked to do,
like, I think

298
00:16:27,207 --> 00:16:29,542
{\an8}one of the first "Outstanding
in the Field" dinners.

299
00:16:29,626 --> 00:16:31,252
I think it's all kind of
on the coattails

300
00:16:31,336 --> 00:16:32,754
of just food consciousness.

301
00:16:32,837 --> 00:16:34,381
Everybody's really been excited

302
00:16:34,464 --> 00:16:36,299
about knowing
where their food comes from.

303
00:16:36,383 --> 00:16:38,051
And these "Outstanding" dinners

304
00:16:38,134 --> 00:16:40,053
have been such
a great venue for that,

305
00:16:40,136 --> 00:16:42,097
because it's one
of the few places that

306
00:16:42,180 --> 00:16:43,682
you really get to pair up

307
00:16:43,765 --> 00:16:45,475
some of the best chefs
in the world

308
00:16:45,558 --> 00:16:48,228
and then the farmers
who actually grow the product.

309
00:16:48,311 --> 00:16:49,938
Such a fun experience.

310
00:16:52,190 --> 00:16:54,025
{\an8}MARCUS SAMULESSON:
In Palm Springs, it was

311
00:16:54,109 --> 00:16:56,361
so exciting
on many levels because. .

312
00:16:56,444 --> 00:16:59,864
{\an8}we practice so much of
our work inside of a restaurant.

313
00:16:59,948 --> 00:17:02,909
What could be better
than to go outside

314
00:17:02,992 --> 00:17:05,912
and cook great food
with a great audience

315
00:17:05,995 --> 00:17:08,373
in a new place?

316
00:17:08,456 --> 00:17:12,544
For me, it's like you have
to find these incredible places.

317
00:17:12,627 --> 00:17:14,796
Part of it is getting
to the dinner,

318
00:17:14,879 --> 00:17:17,048
setting it up,
and then executing it.

319
00:17:19,175 --> 00:17:21,177
{\an8}JOHN McMCARTHY:
The Japanese dinners were

320
00:17:21,261 --> 00:17:25,140
in a brand-new mowed field.

321
00:17:25,223 --> 00:17:26,641
{\an8}Cooking over coals, which was,

322
00:17:26,725 --> 00:17:28,059
{\an8}it was all fantastic.

323
00:17:29,144 --> 00:17:30,937
It wasn't just Japanese people

324
00:17:31,021 --> 00:17:32,564
that showed up at that dinner.

325
00:17:32,647 --> 00:17:34,649
There were Americans
that were living abroad,

326
00:17:34,733 --> 00:17:36,735
there were some people
from South Korea.

327
00:17:36,818 --> 00:17:39,571
There were some people
from Hong Kong and China.

328
00:17:39,654 --> 00:17:41,489
They hadn't seen something
like this before.

329
00:17:44,492 --> 00:17:46,911
{\an8}MARCUS: Bermuda, first of all,
it's a stunning island,

330
00:17:46,995 --> 00:17:50,206
with the most amazing,
fresh produce

331
00:17:50,290 --> 00:17:53,418
and then also
the most amazing, fresh fish.

332
00:17:53,501 --> 00:17:55,754
They go out and catch
something that night,

333
00:17:55,837 --> 00:17:58,840
and we get it that morning,
so it's all-around local

334
00:17:58,923 --> 00:18:00,925
and what's on the island,
and, you know,

335
00:18:01,009 --> 00:18:04,304
Bermuda's a very special place,
and that was a special dinner.

336
00:18:07,140 --> 00:18:09,267
{\an8}[percussive music]

337
00:18:14,439 --> 00:18:16,232
MAN: Jim and his art,

338
00:18:16,316 --> 00:18:18,401
it was definitely
mind-blowing and exciting.

339
00:18:18,485 --> 00:18:21,446
It was a clear message
of protecting nature.

340
00:18:21,529 --> 00:18:23,073
We had a vision. .

341
00:18:23,156 --> 00:18:25,200
"Hey, how can we do
something big

342
00:18:25,283 --> 00:18:26,785
but is also meaningful?"

343
00:18:26,868 --> 00:18:28,870
It was, like, spot-on,
let's bring Jim,

344
00:18:28,953 --> 00:18:30,872
and let's have him do his thing

345
00:18:30,955 --> 00:18:34,626
in the river mouth of Mundaka
that needs protection.

346
00:18:34,709 --> 00:18:36,211
And that's what we did.

347
00:18:36,294 --> 00:18:38,046
We brought him over,
and bingo, you know?

348
00:18:38,129 --> 00:18:41,132
It was, like, on the biggest
news program in Spain.

349
00:18:41,216 --> 00:18:42,550
[music]

350
00:18:42,634 --> 00:18:45,637
[reporter speaking Spanish]

351
00:18:48,390 --> 00:18:51,184
People were asking me,
"Man, how does this guy do

352
00:18:51,267 --> 00:18:53,520
so round, big circles?"

353
00:18:53,603 --> 00:18:57,023
I was kind of sure that
he was doing so round circles

354
00:18:57,107 --> 00:18:59,776
because he's a freak,
and yeah, he is.

355
00:18:59,859 --> 00:19:01,319
[chuckling]

356
00:19:06,032 --> 00:19:08,368
{\an8}[speaking Spanish]

357
00:19:12,664 --> 00:19:15,166
{\an8}It was the season
when "Outstanding in the Field"

358
00:19:15,250 --> 00:19:17,669
was doing
their first Euro tour.

359
00:19:17,752 --> 00:19:20,422
So, they wanted to do something
in the Basque country. .

360
00:19:20,505 --> 00:19:22,590
as being a food hot spot.

361
00:19:22,674 --> 00:19:25,093
So, we scouted,
we saw options,

362
00:19:25,176 --> 00:19:26,803
we talked with chefs,

363
00:19:26,886 --> 00:19:30,557
and we finally set up the table
in our farm.

364
00:19:31,725 --> 00:19:34,144
My family bought
a farm in the '60s

365
00:19:34,227 --> 00:19:35,854
in La Rioja.

366
00:19:35,937 --> 00:19:37,814
It's the Basque Mediterranean,
I would say,

367
00:19:37,897 --> 00:19:39,649
a big wine region.

368
00:19:39,733 --> 00:19:41,818
We set up the table there,
it was amazing,

369
00:19:41,901 --> 00:19:45,405
and it was kind of. .
end of a perfect two gigs

370
00:19:45,488 --> 00:19:48,908
with art and food together.

371
00:20:00,420 --> 00:20:02,464
MARCUS: This is not
just a New York or LA thing.

372
00:20:02,547 --> 00:20:04,174
This is about giving people

373
00:20:04,257 --> 00:20:06,092
unique experiences
that matter.

374
00:20:06,176 --> 00:20:09,846
That's what these events
gives you an opportunity to do.

375
00:20:12,682 --> 00:20:15,310
Yeah, I'm kind of excited,
actually.

376
00:20:16,853 --> 00:20:19,147
- First dinner of the year?
- First dinner of the year.

377
00:20:19,230 --> 00:20:21,358
I moved the bus six times
to get it in the right. .

378
00:20:21,441 --> 00:20:23,902
[laughing]
. right parking spot.

379
00:20:29,532 --> 00:20:31,409
I'm gonna check on some. .

380
00:20:38,500 --> 00:20:41,419
Um. . have you printed
the menus yet?

381
00:20:41,503 --> 00:20:43,004
Yep, they're over there.

382
00:20:43,088 --> 00:20:44,798
Awesome.

383
00:20:47,592 --> 00:20:49,427
- Hey.
- Oh, I thought

384
00:20:49,511 --> 00:20:51,304
you were just coming to tell us
we were doing it wrong.

385
00:20:51,388 --> 00:20:54,140
No. . I'm not sure
how you do it, actually.

386
00:20:54,224 --> 00:20:56,559
What about this frame. .

387
00:20:56,643 --> 00:20:58,395
I'd set that one
to the side, yeah.

388
00:20:58,478 --> 00:21:00,021
- It's not perfect.
- Where's the first one

389
00:21:00,105 --> 00:21:02,148
you've done?
This one?

390
00:21:02,232 --> 00:21:04,275
That one's beautiful.

391
00:21:04,359 --> 00:21:06,569
So, I always get stuck
at this part.

392
00:21:06,653 --> 00:21:08,196
Then you put your hand
on the front,

393
00:21:08,279 --> 00:21:09,948
and you flip it.

394
00:21:14,703 --> 00:21:16,746
That's the menu,
and there's the people.

395
00:21:25,630 --> 00:21:27,757
MAN: It's 20 minutes to 3:00.

396
00:21:29,426 --> 00:21:32,012
- Yes.
- Whoa, really?

397
00:21:32,095 --> 00:21:34,139
- Yes.
- Time flies.

398
00:21:37,600 --> 00:21:39,853
That's not good.
[laughing]

399
00:21:39,936 --> 00:21:42,022
I. . gotta get cranking.

400
00:21:42,105 --> 00:21:43,898
Huh.

401
00:21:43,982 --> 00:21:45,692
Oh, this is
a beautiful menu.

402
00:21:47,569 --> 00:21:49,946
I think. .
I think it's gonna work.

403
00:21:50,030 --> 00:21:52,157
Better. . Better get chopping.

404
00:21:55,744 --> 00:21:57,370
DAVID:
My impression with Jim is. .

405
00:21:57,454 --> 00:21:59,539
and I don't mean this badly,
but Jim is easily

406
00:21:59,622 --> 00:22:01,416
one of the most disorganized
people I've ever met

407
00:22:01,499 --> 00:22:02,751
in my entire life.

408
00:22:02,834 --> 00:22:04,878
He goes in with this, like,

409
00:22:04,961 --> 00:22:07,630
this impression of being. .
scatterbrained's the wrong word,

410
00:22:07,714 --> 00:22:09,382
just, like, disorganized,
but this kind of. .

411
00:22:09,466 --> 00:22:11,718
"Everything's gonna be
all right, you know?

412
00:22:11,801 --> 00:22:13,595
"Everything's
just gonna kind of. .

413
00:22:13,678 --> 00:22:15,722
"everything's gonna
kind of line up,

414
00:22:15,805 --> 00:22:17,349
and it's just gonna be. . "
and you know what,

415
00:22:17,432 --> 00:22:19,017
he's right every time,
you know?

416
00:22:19,100 --> 00:22:21,353
It. . just somehow,
it kind of comes together,

417
00:22:21,436 --> 00:22:22,937
and there he is,
standing with his. .

418
00:22:23,021 --> 00:22:24,647
you know, with that hat
that he wears.

419
00:22:24,731 --> 00:22:27,025
It's pretty funny.

420
00:22:33,073 --> 00:22:36,451
Hearing the sheep.
Forget it.

421
00:22:39,496 --> 00:22:41,039
Need some WD-40.

422
00:22:42,540 --> 00:22:44,959
DAMANI: He's an odd guy,
but I like him.

423
00:22:45,043 --> 00:22:46,586
He's, you know,
odd but likable.

424
00:22:46,669 --> 00:22:48,505
A gentle giant,
if you will.

425
00:22:50,757 --> 00:22:52,717
It takes a different
type of person

426
00:22:52,801 --> 00:22:55,011
to be able to conceive
something like that

427
00:22:55,095 --> 00:22:57,889
and, you know,
bring it to fruition

428
00:22:57,972 --> 00:23:01,226
and stick with it
for so many years, you know?

429
00:23:07,857 --> 00:23:09,734
{\an8}- Hey, how're you?
- Pretty good.

430
00:23:09,818 --> 00:23:12,654
{\an8}Yeah, it's gonna. .
we gotta go for the shade today.

431
00:23:12,737 --> 00:23:15,031
- Uh. . Chef Sean.
- Yeah.

432
00:23:15,115 --> 00:23:16,700
- Hey.
- Hey, how you doin', Jim?

433
00:23:16,783 --> 00:23:18,535
{\an8}- Good, great to see you.
- Nice to see you.

434
00:23:18,618 --> 00:23:20,620
{\an8}- How was the first dinner?
- Umm, well,

435
00:23:20,704 --> 00:23:22,664
{\an8}I barely saw it,
'cause I was doing my artwork.

436
00:23:22,747 --> 00:23:24,416
{\an8}- Oh, really?
- And then I did art

437
00:23:24,499 --> 00:23:26,251
- and the food at the same time.
- Cool.

438
00:23:26,334 --> 00:23:27,752
Um, but it went very well.

439
00:23:27,836 --> 00:23:29,713
This is. .
This is a tough site.

440
00:23:29,796 --> 00:23:32,048
- Right here?
- Oh, we haven't even. .

441
00:23:32,132 --> 00:23:34,008
the tables aren't even out yet.

442
00:23:34,092 --> 00:23:35,719
- No.
- Sweet.

443
00:23:35,802 --> 00:23:37,595
- You ready to schlep?
- Yeah.

444
00:23:37,679 --> 00:23:39,472
- Nice, that's nice. . nice.
- Yeah.

445
00:23:39,556 --> 00:23:42,100
Um, the table's gonna be
in the barn proper.

446
00:23:42,183 --> 00:23:44,227
- Just up there.
- The proper. . cool.

447
00:23:44,310 --> 00:23:47,188
The idea is for the table
to go in the tunnel.

448
00:23:47,272 --> 00:23:49,357
I thought there was gonna be
a lot more vegetables.

449
00:23:49,441 --> 00:23:52,068
The vegetables are very tiny.

450
00:23:52,152 --> 00:23:54,529
Nick, you remember
how I'm really fastidious

451
00:23:54,612 --> 00:23:56,698
about the location
of the kitchen

452
00:23:56,781 --> 00:23:58,700
as it relates to the table?

453
00:23:58,783 --> 00:24:00,118
You shouldn't make
a place for it

454
00:24:00,201 --> 00:24:02,078
- until we talk about it.
- Okay.

455
00:24:02,162 --> 00:24:04,205
- Too close?
- Yeah.

456
00:24:04,289 --> 00:24:07,959
It's like, shove it. .
shove it back.

457
00:24:09,627 --> 00:24:11,588
Yeah, I don't know,
it just. .

458
00:24:11,671 --> 00:24:13,423
- you know what I mean. .
-  . walkway,

459
00:24:13,506 --> 00:24:15,675
and then there's that
roaring fire over there, too.

460
00:24:15,759 --> 00:24:17,510
- So, and we've got. .
- Well, let's think it through

461
00:24:17,594 --> 00:24:20,138
- before we just throw it up.
- Okay.

462
00:24:20,221 --> 00:24:21,681
Because, do you see
what I mean, like. .

463
00:24:21,765 --> 00:24:23,350
- Yeah.
- Because. .

464
00:24:23,433 --> 00:24:24,809
with the tables
all through here,

465
00:24:24,893 --> 00:24:26,478
- it's like. .
- Okay.

466
00:24:26,561 --> 00:24:28,605
- So let's figure it out.
- Just clunky-looking.

467
00:24:30,565 --> 00:24:33,026
Let's review
our available area over here.

468
00:24:45,497 --> 00:24:47,582
So. . I'm such a tyrant.

469
00:24:49,667 --> 00:24:51,336
[laughing]

470
00:24:51,419 --> 00:24:53,129
The table,
in the kitchen. .

471
00:24:53,213 --> 00:24:54,672
Nick, are you cool
with that plan?

472
00:24:54,756 --> 00:24:56,591
You cool with that plan?

473
00:24:56,674 --> 00:24:57,967
- The kitchen here?
- Yeah.

474
00:24:58,051 --> 00:25:00,345
- Yeah, totes.
- Nice.

475
00:25:00,428 --> 00:25:01,846
I can't believe
I just said "totes. "

476
00:25:01,930 --> 00:25:03,598
Totes.

477
00:25:03,682 --> 00:25:05,517
[laughing]

478
00:25:05,600 --> 00:25:07,769
[music]

479
00:25:16,111 --> 00:25:18,446
Yeah, that's it.
Right there.

480
00:25:19,948 --> 00:25:21,241
DINA BREWSTER:
Jim and those guys,

481
00:25:21,324 --> 00:25:22,742
this is their first time here.

482
00:25:22,826 --> 00:25:25,578
I was really floored,

483
00:25:25,662 --> 00:25:27,288
you know, that two weeks ago,

484
00:25:27,372 --> 00:25:29,290
I hadn't really
heard anything,

485
00:25:29,374 --> 00:25:30,917
and they seemed
terribly confident

486
00:25:31,000 --> 00:25:33,294
that everything was gonna
go off beautifully.

487
00:25:33,378 --> 00:25:35,004
{\an8}But with no menu set

488
00:25:35,088 --> 00:25:36,756
{\an8}and no placement for the table,

489
00:25:36,840 --> 00:25:38,591
and I thought,
we can't do this in a day.

490
00:25:38,675 --> 00:25:40,593
I mean, who can
do this in a day?

491
00:25:46,433 --> 00:25:48,435
But he seems very on top of it

492
00:25:48,518 --> 00:25:50,228
with checking the wind

493
00:25:50,311 --> 00:25:51,938
and the placement
of the tables

494
00:25:52,022 --> 00:25:53,815
so that it would catch
just the right breeze,

495
00:25:53,898 --> 00:25:55,692
and lovely.

496
00:25:58,403 --> 00:25:59,946
All right, guys,
we need to have someone start

497
00:26:00,030 --> 00:26:02,073
slicing the quail
right away, okay?

498
00:26:06,661 --> 00:26:08,955
All the diced tongue,
is that finished?

499
00:26:09,039 --> 00:26:10,498
Okay, it needs
to be finished soon.

500
00:26:13,835 --> 00:26:15,920
I need another. .
I need something else

501
00:26:16,004 --> 00:26:17,797
to plate these beans.

502
00:26:17,881 --> 00:26:19,883
Who has a bigger spoon?

503
00:26:21,801 --> 00:26:23,720
Coming now, hot-hot-hot.

504
00:26:25,555 --> 00:26:27,974
[distant chatter]

505
00:26:43,656 --> 00:26:45,825
All right, heads are up.

506
00:26:45,909 --> 00:26:47,577
VOICE: Heads are up.

507
00:27:06,137 --> 00:27:07,847
PAUL KULIK: I can't imagine
that there's a scenario

508
00:27:07,931 --> 00:27:10,392
that they haven't already
encountered at this point.

509
00:27:10,475 --> 00:27:12,060
{\an8}Like, the technical proficiency

510
00:27:12,143 --> 00:27:14,062
{\an8}that "Outstanding
in the Field" brings

511
00:27:14,145 --> 00:27:16,940
takes everything and just
brings it up, like, a notch.

512
00:27:17,023 --> 00:27:19,609
Come on, look at
this bad boy. . blah!

513
00:27:19,693 --> 00:27:21,361
PAUL: And their ability
to find, like,

514
00:27:21,444 --> 00:27:24,572
the most scenic spot
on the farm to put the table

515
00:27:24,656 --> 00:27:27,867
and yet not sacrifice
the function

516
00:27:27,951 --> 00:27:30,704
to be able to, like,
still know how to put

517
00:27:30,787 --> 00:27:32,539
the little kitchen tent together
so that we weren't

518
00:27:32,622 --> 00:27:35,208
gonna be killing ourselves
to dry to deliver.

519
00:27:35,291 --> 00:27:37,210
That's really part of
what makes it so special.

520
00:27:37,293 --> 00:27:39,212
You can focus on
what you wanna focus on,

521
00:27:39,295 --> 00:27:41,965
because you know that those
sort of peripheral concerns

522
00:27:42,048 --> 00:27:44,092
are absolutely
already taken care of.

523
00:27:55,979 --> 00:27:58,106
So, Murray, can you explain
what. . what happened

524
00:27:58,189 --> 00:27:59,899
with our bus here?
What'd you find,

525
00:27:59,983 --> 00:28:02,444
and how did you come upon us?

526
00:28:02,527 --> 00:28:04,904
Well, I was driving by
from a different job,

527
00:28:04,988 --> 00:28:07,198
and I work here often,

528
00:28:07,282 --> 00:28:10,076
so I stopped to look at the bus
and talked to Karl

529
00:28:10,160 --> 00:28:12,829
and said, "Well,
you needed this fixed, so. "

530
00:28:12,912 --> 00:28:15,874
That it wouldn't start,
so basically your. .

531
00:28:15,957 --> 00:28:19,044
your inverter batteries
for your cabin were bad,

532
00:28:19,127 --> 00:28:20,587
- and they were draining. .
- Mm-hmm.

533
00:28:20,670 --> 00:28:22,589
the rest of it, um,

534
00:28:22,672 --> 00:28:25,133
there was a switch
that you should've not had on

535
00:28:25,216 --> 00:28:26,760
that was on,

536
00:28:26,843 --> 00:28:28,428
so we're gonna
make it automatic,

537
00:28:28,511 --> 00:28:30,138
- so that will be. .
- Nice.

538
00:28:30,221 --> 00:28:32,098
So. .

539
00:28:32,182 --> 00:28:34,726
and then a few other
little things, that's all.

540
00:28:34,809 --> 00:28:37,062
Sounds good, what do you think
of this old bus?

541
00:28:38,646 --> 00:28:40,065
Looks good
from the outside,

542
00:28:40,148 --> 00:28:41,816
but underneath, it's shit.

543
00:28:51,534 --> 00:28:54,412
Why am I the guy getting
the seaweed off the beach?

544
00:28:55,914 --> 00:28:57,665
That's something for somebody. .

545
00:28:59,250 --> 00:29:01,336
who's not making geometry.

546
00:29:08,259 --> 00:29:09,886
The other drawing was trampled

547
00:29:09,969 --> 00:29:12,681
by a lot of
volleyball activity

548
00:29:12,764 --> 00:29:15,350
yesterday afternoon.

549
00:29:15,433 --> 00:29:17,352
And so I had to. .
I had to repair it.

550
00:29:21,564 --> 00:29:23,692
I mean. .

551
00:29:23,775 --> 00:29:25,819
do painters have
this kind of trouble?

552
00:29:25,902 --> 00:29:28,780
When they've got
their paints,

553
00:29:28,863 --> 00:29:30,865
does someone come up. .
coming up to their service,

554
00:29:30,949 --> 00:29:33,702
and they're fucking
with their canvas? No.

555
00:29:36,413 --> 00:29:38,289
Not to mention
the goddamn waves.

556
00:29:39,499 --> 00:29:41,835
But, you know,
I'm experiencing a. .

557
00:29:43,378 --> 00:29:45,088
some. .

558
00:29:46,297 --> 00:29:48,633
challenges to my. .
to my zen.

559
00:29:51,344 --> 00:29:53,096
Oh, well.

560
00:29:54,389 --> 00:29:56,558
So we keep. . keep moving.

561
00:30:03,732 --> 00:30:06,776
{\an8}[birds tweeting]

562
00:30:23,626 --> 00:30:25,712
JIM: Well, we want
all the guests to arrive. .

563
00:30:25,795 --> 00:30:28,298
they're supposed to arrive
in about ten or 15 minutes.

564
00:30:28,381 --> 00:30:30,550
I want 'em to see
the table in the field

565
00:30:30,633 --> 00:30:34,095
before it's evacuated
to the barn,

566
00:30:34,179 --> 00:30:36,306
which I think is likely.

567
00:30:38,725 --> 00:30:41,394
[wind whooshing]

568
00:30:48,318 --> 00:30:50,820
[wind whooshing]

569
00:31:02,832 --> 00:31:05,418
[wind whooshing]

570
00:31:06,836 --> 00:31:09,381
[soft music]

571
00:31:22,060 --> 00:31:24,562
Yeah, this is
the Midwest experience.

572
00:31:24,646 --> 00:31:26,481
Chaos to perfect sun.

573
00:31:27,774 --> 00:31:29,192
In 20 minutes.

574
00:31:35,573 --> 00:31:37,701
{\an8}JIM: Today,
there's 0% chance of rain.

575
00:31:37,784 --> 00:31:39,202
There's not a cloud
in the sky, so. .

576
00:31:39,285 --> 00:31:40,745
we don't have
to think about that.

577
00:31:40,829 --> 00:31:42,455
If you go over there,
that's, like,

578
00:31:42,539 --> 00:31:44,290
the table just looks like
it's floating in grass.

579
00:31:44,374 --> 00:31:45,792
Like, on the sides.

580
00:32:04,436 --> 00:32:06,855
{\an8}Okay, bring it right here.

581
00:32:08,023 --> 00:32:10,442
[music]

582
00:32:18,366 --> 00:32:21,870
The table's just gonna get
a little bit wet on Saturday.

583
00:32:21,953 --> 00:32:24,164
Sunday, it's just
gonna get nailed.

584
00:32:24,247 --> 00:32:26,750
People are gonna get soaked.

585
00:32:26,833 --> 00:32:28,793
It's a hot day, too.

586
00:32:28,877 --> 00:32:30,545
So, it's. .

587
00:32:30,628 --> 00:32:32,589
so it's sort of okay
that they're getting soaked.

588
00:32:35,675 --> 00:32:37,427
It's. . I think it's the flaw.

589
00:32:37,510 --> 00:32:39,179
It's the best
possible conditions for. .

590
00:32:39,262 --> 00:32:41,639
having waves at the table
about third course.

591
00:32:58,948 --> 00:33:02,202
We need the staff to come over
to help move the table.

592
00:33:02,285 --> 00:33:03,828
And they did not dawdle.

593
00:33:03,912 --> 00:33:05,830
Hey, Karl, it's raining.

594
00:33:05,914 --> 00:33:07,999
We're usually
not this sensible.

595
00:33:08,083 --> 00:33:11,836
I usually leave the table
out there longer.

596
00:33:11,920 --> 00:33:13,838
It's really hard to walk
backwards with flip-flops.

597
00:33:13,922 --> 00:33:15,382
Do you want me
to walk backwards?

598
00:33:15,465 --> 00:33:17,217
No, I got it.
How many tables we got?

599
00:33:17,300 --> 00:33:20,178
- Fifteen.
- Fifteen? Let's go three fives.

600
00:33:21,262 --> 00:33:23,556
[squeaking]

601
00:33:24,933 --> 00:33:26,935
Sorry.

602
00:33:27,018 --> 00:33:28,895
[sighing]

603
00:33:28,978 --> 00:33:30,647
It's difficult
to bring the table inside,

604
00:33:30,730 --> 00:33:32,148
but sometimes it's gotta. .
just gotta happen.

605
00:33:33,400 --> 00:33:34,901
But at least now
everyone's still got the view.

606
00:33:34,984 --> 00:33:38,238
It's still amazing from here.

607
00:33:38,321 --> 00:33:40,490
Looking good,
we got. . we made it.

608
00:33:40,573 --> 00:33:42,575
- Dude.
- Yeah, thanks.

609
00:33:44,285 --> 00:33:46,621
Yeah, we've actually. .
before we moved the table in,

610
00:33:46,705 --> 00:33:49,165
- and then we. .
- [overlapping chatter]

611
00:33:49,249 --> 00:33:52,210
the staff gets in the way,
but it's kind of funny.

612
00:33:53,503 --> 00:33:56,005
{\an8}[birds tweeting]

613
00:34:12,355 --> 00:34:14,607
{\an8}NION McEVOY:
Jim's art exemplifies

614
00:34:14,691 --> 00:34:17,235
{\an8}an art form that
literally is engaged with

615
00:34:17,318 --> 00:34:20,321
{\an8}and inseparable from the land
and the local conditions.

616
00:34:20,405 --> 00:34:22,782
He's always
very attentive to place,

617
00:34:22,866 --> 00:34:26,578
and it's part of a piece
with agricultural thinking

618
00:34:26,661 --> 00:34:28,121
and locavore.

619
00:34:29,456 --> 00:34:31,458
MAN: Jim is doing three.

620
00:34:31,541 --> 00:34:34,377
- I'm an experienced server.
- That a boy.

621
00:34:34,461 --> 00:34:37,422
The attempt he has made
to travel around the country

622
00:34:37,505 --> 00:34:41,718
and yet, in each place that
"Outstanding" throws a party,

623
00:34:41,801 --> 00:34:43,511
it's inextricable
from not only

624
00:34:43,595 --> 00:34:45,305
the local environment
of the venue

625
00:34:45,388 --> 00:34:46,973
but also of all the foods

626
00:34:47,057 --> 00:34:49,601
and the thinking about food
from the region.

627
00:34:49,684 --> 00:34:51,061
It definitely seems to be

628
00:34:51,144 --> 00:34:53,104
a wonderful,
magical idea

629
00:34:53,188 --> 00:34:56,316
that makes people feel part of
something larger than themselves

630
00:34:56,399 --> 00:34:58,860
and yet something
very human and intimate.

631
00:34:58,943 --> 00:35:01,321
{\an8}[wind blowing]

632
00:35:01,404 --> 00:35:03,073
{\an8}DONIGA MARKEGARD:
I started working with

633
00:35:03,156 --> 00:35:06,284
"Outstanding in the Field"
a number of years ago,

634
00:35:06,368 --> 00:35:08,953
when I ran
into Jim Denevan

635
00:35:09,037 --> 00:35:11,247
because he likes to draw

636
00:35:11,331 --> 00:35:13,875
{\an8}on the sand right across
from our ranch here.

637
00:35:15,794 --> 00:35:19,130
Jim makes sure to create
that relationship

638
00:35:19,214 --> 00:35:23,551
with the people that
are tending to the animals,

639
00:35:23,635 --> 00:35:25,762
or tending to the vegetables,

640
00:35:25,845 --> 00:35:28,014
and then he can trust

641
00:35:28,098 --> 00:35:31,935
that we have
that connection to nature.

642
00:35:33,353 --> 00:35:35,313
And then that trickles

643
00:35:35,397 --> 00:35:37,357
into these dinners.

644
00:35:37,440 --> 00:35:39,859
It's like this celebration
of everything

645
00:35:39,943 --> 00:35:43,405
that went in
to creating that meal.

646
00:36:02,006 --> 00:36:03,383
It's really fuckin' hot.

647
00:36:03,466 --> 00:36:05,635
MAN: You've been
just chilling in here?

648
00:36:05,719 --> 00:36:08,722
Yeah, just kind of
getting out of the. .

649
00:36:08,805 --> 00:36:10,557
away from the circus
for a moment.

650
00:36:10,640 --> 00:36:12,308
MAN: Right.

651
00:36:12,392 --> 00:36:14,144
Even though
it's uncomfortable.

652
00:36:15,562 --> 00:36:17,939
- Cool.
- It's a little private space.

653
00:36:18,023 --> 00:36:19,482
With just me and the camera.

654
00:36:19,566 --> 00:36:22,485
[chuckling]

655
00:36:22,569 --> 00:36:24,487
Kind of fucked up today,
with the weather.

656
00:36:26,781 --> 00:36:28,700
Should've had. .

657
00:36:30,660 --> 00:36:31,995
shelter.

658
00:36:32,078 --> 00:36:34,539
It's a little. .

659
00:36:34,622 --> 00:36:37,042
it's a little hot.

660
00:36:37,125 --> 00:36:38,752
MAN:
Wanna get ready?

661
00:36:38,835 --> 00:36:40,503
Yeah, let me get the. .

662
00:36:40,587 --> 00:36:42,589
get my costume.

663
00:36:44,174 --> 00:36:46,342
I just gotta show you
the magazine.

664
00:36:48,636 --> 00:36:51,222
This is ten years.

665
00:36:51,306 --> 00:36:52,807
"Gastronomica. "

666
00:36:52,891 --> 00:36:55,685
It's an intellectual study
of gastronomy.

667
00:36:55,769 --> 00:36:57,896
- It's very well-done.
- Mm-hmm.

668
00:36:57,979 --> 00:36:59,981
Beautiful photographs and. .

669
00:37:00,065 --> 00:37:02,025
hold on.

670
00:37:02,108 --> 00:37:04,903
It's very artfully
put together.

671
00:37:04,986 --> 00:37:07,072
And, uh,

672
00:37:07,155 --> 00:37:09,783
yeah, and there's this,
"On Dining and Creating. "

673
00:37:09,866 --> 00:37:12,452
- Oh, nice.
- Ten years ago.

674
00:37:12,535 --> 00:37:14,037
You mean this came out
ten years ago?

675
00:37:14,120 --> 00:37:16,081
Yeah, just by coincidence,

676
00:37:16,164 --> 00:37:18,583
it's sitting
on the desk there.

677
00:37:18,666 --> 00:37:20,877
Left by the last person
that stayed here

678
00:37:20,960 --> 00:37:23,880
and was. . and was
the one that was on top.

679
00:37:23,963 --> 00:37:25,924
Pretty weird,
and it's got pictures

680
00:37:26,007 --> 00:37:28,009
of our dinner in a cave.

681
00:37:28,093 --> 00:37:30,261
Where we had a hundred people
inside of a sea cave.

682
00:37:30,345 --> 00:37:32,764
MAN: Nice.

683
00:37:32,847 --> 00:37:34,516
And, uh. .

684
00:37:34,599 --> 00:37:36,601
then the. .
the foraging,

685
00:37:36,685 --> 00:37:38,269
our first foraging event,

686
00:37:38,353 --> 00:37:40,480
which we had
outside in the woods.

687
00:37:42,148 --> 00:37:44,359
- Ahh, cool.
- In Bonny Doon.

688
00:37:50,448 --> 00:37:51,783
MAN: What you looking for?

689
00:37:51,866 --> 00:37:53,660
Looking for a toothbrush.

690
00:37:57,163 --> 00:37:59,666
All I see is toothpaste.

691
00:38:20,729 --> 00:38:22,480
It's gonna have to be
my toothbrush.

692
00:38:24,315 --> 00:38:26,151
[muffled]
. what I got.

693
00:38:28,319 --> 00:38:30,613
MAN: And no water.

694
00:38:30,697 --> 00:38:32,365
I got soda.

695
00:38:37,495 --> 00:38:39,664
Brushed my teeth.

696
00:38:42,625 --> 00:38:44,461
You gotta what you gotta do.

697
00:38:44,544 --> 00:38:47,255
These are
primitive conditions. .

698
00:38:50,216 --> 00:38:51,843
on the road.

699
00:38:51,926 --> 00:38:53,303
Okay.

700
00:38:53,386 --> 00:38:54,679
- Ready?
- I'm ready.

701
00:38:54,763 --> 00:38:56,348
- Showtime!
- Showtime.

702
00:38:56,431 --> 00:38:57,807
- All right.
- Whew.

703
00:38:57,891 --> 00:38:59,768
- Fresh breath and all.
- Yep.

704
00:39:05,315 --> 00:39:08,109
[distant chatter]

705
00:39:08,193 --> 00:39:09,736
So we're gonna. .
yeah, we're gonna get started

706
00:39:09,819 --> 00:39:11,279
with the event.
I'm gonna track down Sean.

707
00:39:11,363 --> 00:39:13,198
- Good to see you.
- Nice to meet you.

708
00:39:15,200 --> 00:39:17,702
[accordion playing]

709
00:39:24,667 --> 00:39:28,546
I'm looking
for a place to start.

710
00:39:28,630 --> 00:39:30,215
Yeah.

711
00:39:30,298 --> 00:39:32,092
That'll go this way
a little bit.

712
00:39:34,219 --> 00:39:36,054
And we'll. . yeah,
we're gonna start in a second.

713
00:39:36,137 --> 00:39:38,515
Over here is
the most space, yeah.

714
00:39:38,598 --> 00:39:40,517
[upbeat music]

715
00:39:40,600 --> 00:39:42,727
So, welcome, everyone, welcome
to "Outstanding in the Field. "

716
00:39:42,811 --> 00:39:45,438
{\an8}Could we have
a round of applause for Joan?

717
00:39:45,522 --> 00:39:48,233
"Outstanding in the Field"'s
favorite farmer!

718
00:39:48,316 --> 00:39:50,110
I take the hat off
to you, Joan.

719
00:39:53,446 --> 00:39:55,281
[baa-ing]

720
00:39:55,365 --> 00:39:57,909
{\an8}RANDALL GRAHM:
Jim's genius was

721
00:39:57,992 --> 00:40:00,495
{\an8}in trying to connect people

722
00:40:00,578 --> 00:40:03,123
{\an8}to where food is grown.

723
00:40:03,206 --> 00:40:04,666
JIM: So, folks,
come on over here.

724
00:40:04,749 --> 00:40:06,000
We're gonna take off
on a little tour

725
00:40:06,084 --> 00:40:08,002
which will end in the table.

726
00:40:09,421 --> 00:40:11,172
RANDALL:
It's an emotional experience

727
00:40:11,256 --> 00:40:13,258
to be eating a meal

728
00:40:13,341 --> 00:40:16,052
in the place from which
the food has been grown.

729
00:40:19,139 --> 00:40:22,767
You can't even articulate
why it's so powerful,

730
00:40:22,851 --> 00:40:24,936
but it really does seem
to move people.

731
00:40:25,020 --> 00:40:29,065
Jim discovered this, and I think
it was totally brilliant.

732
00:40:32,569 --> 00:40:34,362
That's the best.

733
00:40:39,325 --> 00:40:41,202
Just lift your feet
when the wave comes through.

734
00:40:54,257 --> 00:40:56,092
[upbeat music]

735
00:41:02,766 --> 00:41:05,101
[screaming]

736
00:41:06,936 --> 00:41:08,605
[overlapping chatter]

737
00:41:21,076 --> 00:41:23,953
This isn't fuckin' Tuscany.

738
00:41:24,037 --> 00:41:25,747
It's not Basque country.

739
00:41:27,374 --> 00:41:30,335
This is. .
the confluence

740
00:41:30,418 --> 00:41:32,087
of three states:

741
00:41:32,170 --> 00:41:35,340
Connecticut, New York,
and Massachusetts.

742
00:41:35,423 --> 00:41:37,509
It's specific.

743
00:41:37,592 --> 00:41:41,179
It's not general.
It's not Tuscany.

744
00:41:41,262 --> 00:41:44,057
Every fuckin' place
in America, the. .

745
00:41:44,140 --> 00:41:46,142
like, the '80s and '90s,

746
00:41:46,226 --> 00:41:48,895
would call themselves Tuscany

747
00:41:48,978 --> 00:41:50,730
because they think
people would run in the door

748
00:41:50,814 --> 00:41:53,108
because Tuscany has

749
00:41:53,191 --> 00:41:55,318
beautiful olive trees
and mountains

750
00:41:55,402 --> 00:41:57,904
and architecture.

751
00:41:59,114 --> 00:42:01,032
This is America.

752
00:42:03,827 --> 00:42:06,663
This is where it comes from.

753
00:42:09,999 --> 00:42:11,543
DEVAL PATRICK:
I'm really intrigued

754
00:42:11,626 --> 00:42:13,795
by the growing interest
that people have

755
00:42:13,878 --> 00:42:15,255
in where their food comes from

756
00:42:15,338 --> 00:42:17,215
{\an8}and having
as few steps as possible

757
00:42:17,298 --> 00:42:19,509
{\an8}between the source
and the table.

758
00:42:19,592 --> 00:42:22,721
We've had a nearly
20% increase in farms

759
00:42:22,804 --> 00:42:25,265
here in Massachusetts
in the last ten years or so.

760
00:42:25,348 --> 00:42:27,225
And that's really exciting.

761
00:42:28,893 --> 00:42:31,938
{\an8}JIM: The one thing
I wanna say also is that

762
00:42:32,022 --> 00:42:34,357
there really is. .

763
00:42:34,441 --> 00:42:37,527
um. . just as much power

764
00:42:37,610 --> 00:42:40,655
and culmination
in that. .

765
00:42:40,739 --> 00:42:42,365
um. .

766
00:42:43,992 --> 00:42:46,244
in the meeting
of the farmer and the chef

767
00:42:46,327 --> 00:42:49,414
in Arkansas' areas. .

768
00:42:49,497 --> 00:42:51,833
east coast, west coast,
south, north.

769
00:42:51,916 --> 00:42:53,418
It's pretty. .
It's pretty powerful,

770
00:42:53,501 --> 00:42:55,420
all across this country.

771
00:42:55,503 --> 00:42:57,005
- That's great.
- Thank you.

772
00:42:57,088 --> 00:42:59,215
- Thank you.
- Thanks.

773
00:42:59,299 --> 00:43:01,926
{\an8}These guys just show up,
and they're so mellow,

774
00:43:02,010 --> 00:43:04,137
{\an8}and they just make it happen.

775
00:43:04,220 --> 00:43:07,307
This morning, I woke up,
and I just realized, it's like,

776
00:43:07,390 --> 00:43:09,517
I've got this great crew
of nine people.

777
00:43:09,601 --> 00:43:11,895
I've got five
of the best chefs in Memphis

778
00:43:11,978 --> 00:43:14,105
coming to my farm,
throwing a party,

779
00:43:14,189 --> 00:43:15,690
and I really don't have
to do anything.

780
00:43:15,774 --> 00:43:18,318
And just realizing that,
I mean, like, okay,

781
00:43:18,401 --> 00:43:19,736
it's gonna be fine.

782
00:43:19,819 --> 00:43:21,696
VOICE: Thanks, Brandon!

783
00:43:21,780 --> 00:43:23,239
[cheering]

784
00:43:23,323 --> 00:43:24,741
- Thanks.
- Thanks so much

785
00:43:24,824 --> 00:43:26,451
- for coming out here.
- It was fun.

786
00:43:26,534 --> 00:43:28,370
- It was awesome.
- Thanks. Thanks so much.

787
00:43:30,080 --> 00:43:32,040
ANASTASIA PLAKIAS: Thank you,
whole "Outstanding" team,

788
00:43:32,123 --> 00:43:36,002
for doing this, because
when we started this business,

789
00:43:36,086 --> 00:43:37,796
{\an8}we didn't know
if we could make this work,

790
00:43:37,879 --> 00:43:39,756
{\an8}and the only reason that we did

791
00:43:39,839 --> 00:43:42,467
is because of folks
who are committed

792
00:43:42,550 --> 00:43:44,886
to seeing this concept work.
Folks like Jim,

793
00:43:44,969 --> 00:43:47,472
who are willing to support
small farms like ours.

794
00:43:55,021 --> 00:43:57,482
JASON WEINER: These gigs,
you can't get too complicated.

795
00:43:57,565 --> 00:43:58,900
{\an8}You're in the field,
working with propane.

796
00:43:58,983 --> 00:44:00,235
{\an8}So, um, and you don't wanna

797
00:44:00,318 --> 00:44:01,695
{\an8}get complicated anyway.

798
00:44:01,778 --> 00:44:03,363
It's about stepping
out of the way

799
00:44:03,446 --> 00:44:06,157
of the pretense
and the smoke and mirrors

800
00:44:06,241 --> 00:44:07,867
and just kind of
give the ingredient

801
00:44:07,951 --> 00:44:10,036
a little bit
of whimsical push,

802
00:44:10,120 --> 00:44:11,913
but it's really letting
the ingredients

803
00:44:11,996 --> 00:44:14,040
sort of, like, be the star.

804
00:44:14,124 --> 00:44:17,711
The jalapenos are
from, uh. .

805
00:44:17,794 --> 00:44:19,462
they came from Amber Waves.

806
00:44:19,546 --> 00:44:21,423
Is the balsamic going
on the first course or. . ?

807
00:44:21,506 --> 00:44:23,633
Yeah, the balsamic and basil all
is going on the first course,

808
00:44:23,717 --> 00:44:25,260
and you got a bunch
of different micro-greens

809
00:44:25,343 --> 00:44:27,053
going on that course. .
that's from Brendan

810
00:44:27,137 --> 00:44:28,888
from Goodwater. .
the garlic croutons,

811
00:44:28,972 --> 00:44:30,765
the bread comes
from Blue Duck Bakery

812
00:44:30,849 --> 00:44:32,100
- in Southampton.
- What?

813
00:44:32,183 --> 00:44:34,019
Blue Duck.
Blue Duck.

814
00:44:34,102 --> 00:44:35,520
And that's the first course?

815
00:44:35,603 --> 00:44:37,313
That's it, yeah,
and the tuna, yep.

816
00:44:37,397 --> 00:44:39,149
Second course,
the fish and chips.

817
00:44:39,232 --> 00:44:40,984
It's whole black sea bass.
We're doing the whole fish

818
00:44:41,067 --> 00:44:42,569
on the plate, deep-fried.

819
00:44:42,652 --> 00:44:44,779
And mahi.

820
00:44:44,863 --> 00:44:46,865
And those are both. .
yep, both black bass. .

821
00:44:46,948 --> 00:44:49,826
with wine,
caught off of Montauk.

822
00:44:49,909 --> 00:44:53,413
And, um,
and the mahi-mahi,

823
00:44:53,496 --> 00:44:55,957
[indistinct]
. on that.

824
00:44:59,753 --> 00:45:01,796
These are blue mussels.

825
00:45:01,880 --> 00:45:05,008
They came from
my friend Captain John

826
00:45:05,091 --> 00:45:06,718
in the. .

827
00:45:06,801 --> 00:45:09,554
we got 'em from a bed
in the Shinnecock Canal.

828
00:45:09,637 --> 00:45:12,140
Out of the water yesterday.

829
00:45:12,223 --> 00:45:14,934
Yeah.
[clears throat]

830
00:45:15,018 --> 00:45:16,895
The conviviality of the meal

831
00:45:16,978 --> 00:45:19,022
should all be
sort of out of respect

832
00:45:19,105 --> 00:45:21,858
for the product,
and where it comes from.

833
00:45:21,941 --> 00:45:23,985
And, you know,
"Outstanding in the Field"

834
00:45:24,069 --> 00:45:25,487
have sort of
cut out that middleman

835
00:45:25,570 --> 00:45:27,489
and made it
so much more obvious.

836
00:45:27,572 --> 00:45:30,533
These kinds of events that
"Outstanding" does sort of

837
00:45:30,617 --> 00:45:32,202
brings that all
sort of in sharp relief.

838
00:45:42,962 --> 00:45:45,965
PAUL: There's a ton
of really motivated

839
00:45:46,049 --> 00:45:47,759
and interesting farmers
and growers

840
00:45:47,842 --> 00:45:50,053
and people cooking, I mean,
it's, like, massive.

841
00:45:50,136 --> 00:45:51,471
I mean,
this is a big country,

842
00:45:51,554 --> 00:45:53,264
and for this many people
now to be

843
00:45:53,348 --> 00:45:55,725
successfully
doing good food,

844
00:45:55,809 --> 00:45:59,145
representing their region
from the cooking standpoint.

845
00:45:59,229 --> 00:46:00,814
I think the mission
really is about

846
00:46:00,897 --> 00:46:02,774
just reminding people that,

847
00:46:02,857 --> 00:46:05,527
you know, you wanna care
about what you're eating.

848
00:46:12,867 --> 00:46:15,078
JIM: This place is
the desert that. .

849
00:46:15,161 --> 00:46:17,080
where you can set up a camera,
you know, it's like. .

850
00:46:17,163 --> 00:46:19,124
and there's, like, this really
thin gravel thing going on.

851
00:46:19,207 --> 00:46:21,543
And you could do it
ahead of, uh, like, say,

852
00:46:21,626 --> 00:46:23,962
big wind storms predicted
for the afternoon.

853
00:46:24,045 --> 00:46:25,380
You do it in the morning,
you set

854
00:46:25,463 --> 00:46:26,965
your fixed camera up there,

855
00:46:27,048 --> 00:46:29,217
and all. . half the day,
there's this dude

856
00:46:29,300 --> 00:46:30,927
just on this isolated area

857
00:46:31,010 --> 00:46:35,223
who's just, like, bl. .
just using the. .

858
00:46:35,306 --> 00:46:38,351
the broom, you know,
for hours and hours and hours.

859
00:46:38,435 --> 00:46:40,520
And then you start, like,
seeing little bits of it.

860
00:46:40,603 --> 00:46:42,605
The wind getting higher.

861
00:46:42,689 --> 00:46:44,357
And little bits of it,
so the wind starts

862
00:46:44,441 --> 00:46:46,234
blowing stuff across it.

863
00:46:46,317 --> 00:46:49,738
And finally you get,
like, 30-40 mph winds. .

864
00:46:49,821 --> 00:46:52,782
and it's, like,
blowing across the drawing,

865
00:46:52,866 --> 00:46:54,617
and then it gets even stronger,
and it's just. .

866
00:46:54,701 --> 00:46:57,078
and it's a dust cloud,
like, an actual, like,

867
00:46:57,162 --> 00:46:59,831
where you can barely. .
occasionally you can

868
00:46:59,914 --> 00:47:02,125
see the. . drawing,
and occasionally

869
00:47:02,208 --> 00:47:04,169
it's just completely
obscured by dust.

870
00:47:04,252 --> 00:47:06,546
And then completely gone.

871
00:47:08,757 --> 00:47:10,300
I think. .
I think doing drawings

872
00:47:10,383 --> 00:47:12,761
that are in sync
with the weather forecast

873
00:47:12,844 --> 00:47:14,346
is pretty much exactly
the same thing

874
00:47:14,429 --> 00:47:16,556
as doing the sand drawings
at the beach.

875
00:47:18,391 --> 00:47:21,227
You know the wave's coming,
or you know the tide's coming.

876
00:47:21,311 --> 00:47:23,355
You know the weather's coming.

877
00:47:23,438 --> 00:47:26,024
And then to compose
right in that space.

878
00:47:32,781 --> 00:47:35,575
[jazz drumset playing]

879
00:47:58,098 --> 00:48:01,101
[jazz drumset playing]

880
00:48:11,069 --> 00:48:14,072
[jazz drumset playing]

881
00:48:30,213 --> 00:48:33,216
{\an8}[jazz drumset playing]

882
00:48:37,220 --> 00:48:38,555
WILLIAM FOX:
Art and environment has been

883
00:48:38,638 --> 00:48:40,682
woven into our history here

884
00:48:40,765 --> 00:48:42,392
from the very get-go.

885
00:48:42,475 --> 00:48:44,185
I run the Center
for Art and Environment.

886
00:48:44,269 --> 00:48:46,438
{\an8}Which is the only
research institute in the world

887
00:48:46,521 --> 00:48:49,065
{\an8}that studies that topic,
and we collect archives

888
00:48:49,149 --> 00:48:50,525
from artists around the world.

889
00:48:50,608 --> 00:48:52,068
So, Jim's work of course

890
00:48:52,152 --> 00:48:54,237
fits beautifully
within that rubric.

891
00:48:54,320 --> 00:48:56,114
Because he is
not only conducting

892
00:48:56,197 --> 00:48:58,033
direct interventions
into the environment

893
00:48:58,116 --> 00:49:00,660
by drawing on it,
but he's also working

894
00:49:00,744 --> 00:49:02,287
a long tradition of land art.

895
00:49:03,747 --> 00:49:05,749
Jim has a work here. .

896
00:49:05,832 --> 00:49:08,793
{\an8}that's in reference
to spiral jetty.

897
00:49:08,877 --> 00:49:10,670
{\an8}This is kind of a copy

898
00:49:10,754 --> 00:49:12,672
{\an8}of the thing
he's done in the field.

899
00:49:12,756 --> 00:49:14,174
Jim's really aware
of the tradition

900
00:49:14,257 --> 00:49:16,051
he's. . he's walking in,

901
00:49:16,134 --> 00:49:17,969
and that's true
of the food that he does,

902
00:49:18,053 --> 00:49:19,387
in "Outstanding in the Field,"

903
00:49:19,471 --> 00:49:21,222
as well as. .
as in his drawings.

904
00:49:21,306 --> 00:49:24,100
So, um, it's not unusual,
in fact it's gratifying

905
00:49:24,184 --> 00:49:26,436
for us to have, in the archives
here at the museum,

906
00:49:26,519 --> 00:49:28,772
a piece of work
that exemplifies

907
00:49:28,855 --> 00:49:31,483
that connection to the land art
of North America.

908
00:49:33,276 --> 00:49:35,612
So, these designs are so large

909
00:49:35,695 --> 00:49:38,615
that people can be
in a commercial jet liner

910
00:49:38,698 --> 00:49:41,201
and see them
while they're apparent,

911
00:49:41,284 --> 00:49:43,036
and they, of course,
get very excited.

912
00:49:43,119 --> 00:49:45,038
Like, "Oh, my God, the Martians
have landed," right?

913
00:49:45,121 --> 00:49:47,624
To really see the work
that Jim has done

914
00:49:47,707 --> 00:49:50,335
on places like Baikal
and the Black Rock Desert,

915
00:49:50,418 --> 00:49:52,128
you need to use a satellite,

916
00:49:52,212 --> 00:49:53,963
and you have to photograph it
from the big desert,

917
00:49:54,047 --> 00:49:55,924
which is outer space, basically,

918
00:49:56,007 --> 00:49:57,842
or near outer space.

919
00:49:57,926 --> 00:50:00,053
So it's best to commission
time on a satellite

920
00:50:00,136 --> 00:50:02,180
to image these sites, right?

921
00:50:02,263 --> 00:50:04,641
Jim is photographing
from an airplane

922
00:50:04,724 --> 00:50:06,393
with the wing overhead,

923
00:50:06,476 --> 00:50:08,144
and he's over
the Black Rock Desert,

924
00:50:08,228 --> 00:50:10,313
and you can see. .

925
00:50:10,397 --> 00:50:12,148
it gives you a sense of scale
with, again,

926
00:50:12,232 --> 00:50:14,484
the shoreline
of the desert mountains

927
00:50:14,567 --> 00:50:16,319
and then the surface
of the playa.

928
00:50:16,403 --> 00:50:18,405
That long white line you see

929
00:50:18,488 --> 00:50:20,907
along the edge there is
actually a dirt road.

930
00:50:22,909 --> 00:50:24,786
So, one of the things
that's really interesting

931
00:50:24,869 --> 00:50:26,579
about Jim, whether he's working
in the desert here

932
00:50:26,663 --> 00:50:29,082
or even on a beach, you know,
just outside Santa Cruz,

933
00:50:29,165 --> 00:50:32,001
is, in a sense,
he re-creates himself,

934
00:50:32,085 --> 00:50:33,628
and he re-creates his art

935
00:50:33,712 --> 00:50:35,505
every time he does
one of these works.

936
00:50:35,588 --> 00:50:38,425
That's a very gracious gesture
for an artist to make.

937
00:50:38,508 --> 00:50:40,343
To participate
in the world that way.

938
00:50:40,427 --> 00:50:42,303
To make something that,
in a sense, is not about ego.

939
00:50:42,387 --> 00:50:44,431
It's so ephemeral,
it's so time-based. .

940
00:50:44,514 --> 00:50:46,975
it's really about the thing
in and of itself.

941
00:50:50,103 --> 00:50:53,231
In Jim's meditative practice,

942
00:50:53,314 --> 00:50:54,858
which is part
of what constitutes

943
00:50:54,941 --> 00:50:56,651
why he makes these drawings,
it's his way

944
00:50:56,735 --> 00:50:59,070
of centering himself
in the world on a daily basis.

945
00:50:59,154 --> 00:51:00,655
It's interesting
that you can sit down

946
00:51:00,739 --> 00:51:02,657
and assign mathematics to that.

947
00:51:02,741 --> 00:51:04,909
He talks openly
about how that runs

948
00:51:04,993 --> 00:51:06,619
throughout the entire family.

949
00:51:06,703 --> 00:51:08,496
It's a struggle
to stay centered in the world.

950
00:51:08,580 --> 00:51:10,707
And one way you do it is
by repetitive gestures

951
00:51:10,790 --> 00:51:12,834
and just being calm, so.

952
00:51:12,917 --> 00:51:15,170
Watching him work,
watching him rake is always

953
00:51:15,253 --> 00:51:17,005
an amazing experience for me.

954
00:51:17,088 --> 00:51:20,341
It's hard work,
and yet it seems graceful.

955
00:51:23,720 --> 00:51:25,889
Jim goes at the natural world

956
00:51:25,972 --> 00:51:27,682
in several different ways.

957
00:51:27,766 --> 00:51:29,476
And so it's not just
that he's making drawings

958
00:51:29,559 --> 00:51:31,102
on the surface of it.

959
00:51:31,186 --> 00:51:32,729
But, in yet
another manifestation,

960
00:51:32,812 --> 00:51:34,606
he's trying
to connect people

961
00:51:34,689 --> 00:51:36,149
with their food sources
by expressing

962
00:51:36,232 --> 00:51:37,609
a geometrical figure.

963
00:51:37,692 --> 00:51:39,819
A kind of linearity
in the landscape.

964
00:51:39,903 --> 00:51:41,821
It's a very
deliberate gesture.

965
00:51:41,905 --> 00:51:44,866
The fact that he could make
this simple connection that has

966
00:51:44,949 --> 00:51:46,534
a far side and a near side
or a left and a right,

967
00:51:46,618 --> 00:51:48,286
depending on how
you're looking at that line.

968
00:51:48,370 --> 00:51:50,038
And he's simply
laid that out in a field

969
00:51:50,121 --> 00:51:51,706
like it's an anti-furrow

970
00:51:51,790 --> 00:51:54,042
is again one of those
very deep gestures.

971
00:51:54,125 --> 00:51:57,420
People who go to those dinners
always talk about

972
00:51:57,504 --> 00:51:59,589
how unexpected
the power. .

973
00:51:59,672 --> 00:52:01,466
of that gesture
and the landscape is.

974
00:52:01,549 --> 00:52:03,510
It's not just
the experience of the food,

975
00:52:03,593 --> 00:52:04,928
but that Jim has laid out

976
00:52:05,011 --> 00:52:06,429
a physical structure
on the land,

977
00:52:06,513 --> 00:52:08,431
to which the food accumulates.

978
00:52:08,515 --> 00:52:10,350
He is making
a very intuitive gesture

979
00:52:10,433 --> 00:52:12,352
that has to do
with the farming situation

980
00:52:12,435 --> 00:52:14,896
and his ability to make
a structure in the landscape.

981
00:52:14,979 --> 00:52:17,023
So. . it's very intimate,

982
00:52:17,107 --> 00:52:18,692
I think, to what
he's actually doing on the. .

983
00:52:18,775 --> 00:52:21,653
on the surfaces with drawings.

984
00:52:24,698 --> 00:52:26,408
{\an8}<i>♪ There was a boy ♪</i>

985
00:52:26,491 --> 00:52:28,451
<i>♪ There was a boy,</i>
<i>there was a boy ♪</i>

986
00:52:28,535 --> 00:52:30,203
<i>- ♪ There was a boy ♪</i>
<i>- ♪ A very strange ♪</i>

987
00:52:30,286 --> 00:52:31,788
<i>♪ Enchanted boy ♪</i>

988
00:52:31,871 --> 00:52:34,499
[scatting]

989
00:52:34,582 --> 00:52:37,043
<i>- ♪ They say he wandered ♪</i>
<i>- ♪ Super strange ♪</i>

990
00:52:37,127 --> 00:52:39,045
<i>- ♪ Super strange ♪</i>
<i>- ♪ Very far ♪</i>

991
00:52:39,129 --> 00:52:41,464
<i>- ♪ Very far over land ♪</i>
<i>- ♪ Wandered far ♪</i>

992
00:52:41,548 --> 00:52:43,466
<i>- ♪ Really really far ♪</i>
<i>- ♪ And scene ♪</i>

993
00:52:47,012 --> 00:52:48,471
<i>♪ Yes, there was a boy ♪</i>

994
00:52:48,555 --> 00:52:49,973
{\an8}<i>♪ Yes, there was a boy ♪</i>

995
00:52:50,056 --> 00:52:52,225
<i>♪ He was super-shy ♪</i>

996
00:52:52,308 --> 00:52:54,310
[scatting]

997
00:52:54,394 --> 00:52:56,563
<i>♪ But very wise ♪</i>

998
00:52:56,646 --> 00:52:59,858
<i>♪ Was he. . ♪</i>

999
00:52:59,941 --> 00:53:01,901
<i>♪ Super super super super ♪</i>

1000
00:53:01,985 --> 00:53:03,653
<i>♪ Super wise. . ♪</i>

1001
00:53:03,737 --> 00:53:05,655
<i>♪ And then one day ♪</i>

1002
00:53:05,739 --> 00:53:07,657
<i>- ♪ One. . One day ♪</i>
<i>- ♪ One magic day ♪</i>

1003
00:53:07,741 --> 00:53:09,951
<i>♪ He passed my way ♪</i>

1004
00:53:10,035 --> 00:53:12,829
<i>♪ Way-hey-hey, which way? ♪</i>

1005
00:53:12,912 --> 00:53:16,291
<i>♪ And while we spoke</i>
<i>of many things ♪</i>

1006
00:53:16,374 --> 00:53:20,670
<i>♪ Fools and kings,</i>
<i>as he said to me ♪</i>

1007
00:53:24,215 --> 00:53:27,010
<i>- ♪ Oh, the greatest thing ♪</i>
<i>- ♪ Greatest thing ♪</i>

1008
00:53:27,093 --> 00:53:30,013
<i>♪ You'll ever learn ♪</i>

1009
00:53:30,096 --> 00:53:32,432
<i>♪ Is to love ♪</i>

1010
00:53:32,515 --> 00:53:38,063
<i>♪ And be loved in return. . ♪</i>

1011
00:53:42,275 --> 00:53:45,362
<i>♪ Whoo. . ♪</i>

1012
00:53:57,582 --> 00:54:00,710
[whistling]

1013
00:54:05,882 --> 00:54:08,301
[whistling continues]

1014
00:54:18,645 --> 00:54:20,605
JIM: We're in Paradise.

1015
00:54:20,689 --> 00:54:23,233
We're at the farm
that's at the end of the road,

1016
00:54:23,316 --> 00:54:25,568
and the name of the road
is Paradise.

1017
00:54:27,237 --> 00:54:29,906
And this is the farm
at the end of the road.

1018
00:54:34,911 --> 00:54:36,830
This book,
"Practical Electricity,"

1019
00:54:36,913 --> 00:54:38,998
was published in 1923.

1020
00:54:40,667 --> 00:54:43,169
There's a particularly
interesting illustration

1021
00:54:43,253 --> 00:54:46,256
from "Practical Electricity. "

1022
00:54:46,339 --> 00:54:49,968
This describes atoms

1023
00:54:50,051 --> 00:54:51,886
and the boundary of an atom,

1024
00:54:51,970 --> 00:54:54,347
and electrons.

1025
00:54:54,431 --> 00:54:57,726
And then
right below that is. .

1026
00:54:57,809 --> 00:55:02,981
a description of Saturn
and its satellites.

1027
00:55:03,064 --> 00:55:06,526
So you got the macro
and the micro. .

1028
00:55:06,609 --> 00:55:08,987
adjacent to each other.

1029
00:55:09,070 --> 00:55:12,657
My dad,
he was a machinist.

1030
00:55:12,741 --> 00:55:15,118
And my mother was
a mathematician.

1031
00:55:15,201 --> 00:55:17,287
So, his machinist book
looked a lot. .

1032
00:55:17,370 --> 00:55:18,955
looked a lot like this.

1033
00:55:20,457 --> 00:55:22,125
Anyways.

1034
00:55:23,293 --> 00:55:24,878
JIM: I'm from
a very large family,

1035
00:55:24,961 --> 00:55:28,631
but the family intact is. .

1036
00:55:28,715 --> 00:55:31,593
is something
that I have no memory of

1037
00:55:31,676 --> 00:55:34,512
because. .
of a couple things.

1038
00:55:34,596 --> 00:55:37,349
One is, my dad died
when I was five.

1039
00:55:37,432 --> 00:55:39,934
And he was. . he b. .
died of a brain tumor,

1040
00:55:40,018 --> 00:55:43,521
and he was sick
when I was three.

1041
00:55:43,605 --> 00:55:47,192
So, my only memory is
of him being in bed.

1042
00:55:49,694 --> 00:55:51,446
But the thing is,

1043
00:55:51,529 --> 00:55:54,240
he built a table
to fit the whole family.

1044
00:55:54,324 --> 00:55:55,950
A really long table,

1045
00:55:56,034 --> 00:55:58,119
and you could seat 11 people,

1046
00:55:58,203 --> 00:56:00,288
which is the size
of the whole family.

1047
00:56:00,372 --> 00:56:02,248
That big long table was
something he built

1048
00:56:02,332 --> 00:56:03,833
a few years
before he got sick.

1049
00:56:03,917 --> 00:56:05,585
But. . so I have
no memory of my mother

1050
00:56:05,668 --> 00:56:08,088
and my father
being at the table,

1051
00:56:08,171 --> 00:56:10,215
and all the children being
at the table at the same time.

1052
00:56:15,220 --> 00:56:17,263
[stammering]
I've often thought

1053
00:56:17,347 --> 00:56:18,932
of the farm dinner table

1054
00:56:19,015 --> 00:56:22,143
as being some weird. .

1055
00:56:22,227 --> 00:56:23,645
um. .

1056
00:56:24,854 --> 00:56:26,356
I don't know. .

1057
00:56:28,483 --> 00:56:30,068
has some strange relationship

1058
00:56:30,151 --> 00:56:31,861
to that. .
to that table

1059
00:56:31,945 --> 00:56:35,031
that wasn't completely. .

1060
00:56:35,115 --> 00:56:36,700
utilized.

1061
00:56:50,588 --> 00:56:52,841
But I-I'm pretty rattled
talking about my dad

1062
00:56:52,924 --> 00:56:57,387
and the machinist workshop.

1063
00:56:57,470 --> 00:57:00,306
Kind of disturbed.

1064
00:57:13,528 --> 00:57:15,363
[sighing]

1065
00:57:24,289 --> 00:57:26,499
[sighing]

1066
00:57:48,813 --> 00:57:50,940
[sighing]

1067
00:57:58,281 --> 00:58:00,075
So, when my brothers
went crazy,

1068
00:58:00,158 --> 00:58:03,745
I actually hid
in the river like this.

1069
00:58:03,828 --> 00:58:07,290
I hid here
when they were crazy.

1070
00:58:07,374 --> 00:58:10,752
I hid in the river.

1071
00:58:10,835 --> 00:58:13,380
'Cause they were
dangerous and violent

1072
00:58:13,463 --> 00:58:16,257
and. . insane.

1073
00:58:16,341 --> 00:58:18,676
They all went crazy, and. .

1074
00:58:18,760 --> 00:58:21,012
this. . well,
three of my brothers went crazy

1075
00:58:21,096 --> 00:58:22,931
all in the same year.

1076
00:58:23,014 --> 00:58:25,183
All became schizophrenic.

1077
00:58:25,266 --> 00:58:27,602
One was 18,
one was 19,

1078
00:58:27,686 --> 00:58:30,814
and one was 27.

1079
00:58:30,897 --> 00:58:33,274
So it was
eight brothers, and. .

1080
00:58:34,818 --> 00:58:36,695
it's kind of bizarre

1081
00:58:36,778 --> 00:58:40,115
that three of 'em would
become crazy the same year.

1082
00:58:40,198 --> 00:58:42,701
I was. . I was 15,

1083
00:58:42,784 --> 00:58:44,869
so I'd come down here.

1084
00:58:48,456 --> 00:58:52,252
It was calm, I could breathe,
like, psychologically.

1085
00:58:52,335 --> 00:58:53,753
Mentally I felt pretty calm.

1086
00:58:53,837 --> 00:58:56,172
These places,
even if things were. .

1087
00:58:56,256 --> 00:58:58,883
insane in the house.

1088
00:59:06,224 --> 00:59:09,436
And really, yeah,
my. . my artwork. .

1089
00:59:12,480 --> 00:59:15,066
began with this. .
this creek.

1090
00:59:16,735 --> 00:59:18,653
And putting the. .

1091
00:59:18,737 --> 00:59:22,240
putting the rocks
into patterns

1092
00:59:22,323 --> 00:59:25,368
and channeling
the river and. .

1093
00:59:25,452 --> 00:59:27,829
so I'd do that
by myself all day.

1094
00:59:27,912 --> 00:59:30,457
Like, every day,
all day long.

1095
00:59:30,540 --> 00:59:32,667
Just pushing the rocks,

1096
00:59:32,751 --> 00:59:35,295
and I'd change the river
from going that way

1097
00:59:35,378 --> 00:59:37,380
to going over here
and then make it

1098
00:59:37,464 --> 00:59:39,215
go down the middle and then

1099
00:59:39,299 --> 00:59:41,092
just pushing
all these rocks around.

1100
00:59:42,594 --> 00:59:44,679
It's like a task that has no. .

1101
00:59:46,598 --> 00:59:48,850
completion.

1102
00:59:48,933 --> 00:59:51,186
Yeah, and I like
the nonsensical. .

1103
00:59:54,314 --> 00:59:58,276
the useless tasks the best.

1104
01:00:01,112 --> 01:00:03,406
[soft music]

1105
01:00:09,454 --> 01:00:11,706
ANDREW McLESTER:
Jeff, John, and Tom

1106
01:00:11,790 --> 01:00:13,416
{\an8}were the three brothers

1107
01:00:13,500 --> 01:00:16,336
{\an8}that were in the throes
of schizophrenia.

1108
01:00:19,089 --> 01:00:20,548
TISH DENEVAN: Yeah,
we were having a hard time.

1109
01:00:20,632 --> 01:00:22,258
It was rough,
you know, Jeff was

1110
01:00:22,342 --> 01:00:24,302
{\an8}starting fires,
John was breaking down doors.

1111
01:00:24,386 --> 01:00:26,471
{\an8}They were calling the cops.

1112
01:00:26,554 --> 01:00:28,598
Jeff would stare at us
for hours from outside

1113
01:00:28,682 --> 01:00:30,266
on the sliding glass door.

1114
01:00:30,350 --> 01:00:31,768
He'd look through
the sliding glass door at us

1115
01:00:31,851 --> 01:00:33,269
when we were watching TV.

1116
01:00:34,854 --> 01:00:36,189
That was. . I don't know,

1117
01:00:36,272 --> 01:00:38,191
it was just. .
it was disturbing.

1118
01:00:41,736 --> 01:00:46,157
{\an8}ANDREW: When I was 15,
I got kicked out of my house.

1119
01:00:46,241 --> 01:00:50,203
{\an8}and so I lived on the deck
at Jim's mom's house,

1120
01:00:50,286 --> 01:00:52,789
which was at the back
of Moran Lake,

1121
01:00:52,872 --> 01:00:55,333
and one night I was sleeping,
and Jeff came,

1122
01:00:55,417 --> 01:00:57,669
and he went and sat
on the other side of the deck

1123
01:00:57,752 --> 01:01:01,840
and just started saying,
"Go home, boy. "

1124
01:01:01,923 --> 01:01:04,050
"Go home, boy. "
And this is, like,

1125
01:01:04,134 --> 01:01:05,719
about 2:00 in the morning?

1126
01:01:05,802 --> 01:01:07,971
And he just kept saying it
over and over

1127
01:01:08,054 --> 01:01:11,266
and getting louder
and louder.

1128
01:01:11,349 --> 01:01:14,060
And he says,
"Go home, boy. "

1129
01:01:14,144 --> 01:01:15,937
The next thing I know,

1130
01:01:16,021 --> 01:01:19,107
he's above me, and he's got
his hands around my neck.

1131
01:01:19,190 --> 01:01:22,068
And he's choking me
as hard as he can.

1132
01:01:22,152 --> 01:01:24,154
And I couldn't scream,

1133
01:01:24,237 --> 01:01:26,990
because his hands were
around my neck,

1134
01:01:27,073 --> 01:01:29,034
and so I was just gurgling.

1135
01:01:29,117 --> 01:01:30,869
And somehow Dan,

1136
01:01:30,952 --> 01:01:32,662
who was living
in the shed below,

1137
01:01:32,746 --> 01:01:34,456
heard the whole thing go down

1138
01:01:34,539 --> 01:01:37,417
and came up
and tackled Jeff

1139
01:01:37,500 --> 01:01:39,085
and pulled Jeff off of me.

1140
01:01:48,011 --> 01:01:51,139
JIM: My brothers were unable
to take care of themselves.

1141
01:01:51,222 --> 01:01:53,433
Were unable to clean themselves.

1142
01:01:53,516 --> 01:01:55,185
Unable to communicate.

1143
01:01:55,268 --> 01:01:56,895
Locked up
in mental hospitals.

1144
01:01:56,978 --> 01:01:58,980
And I didn't know
how to deal with it.

1145
01:01:59,064 --> 01:02:00,357
I didn't know
how to think about it.

1146
01:02:00,440 --> 01:02:02,442
I feel very ugly inside

1147
01:02:02,525 --> 01:02:04,986
from having
schizophrenic siblings.

1148
01:02:05,070 --> 01:02:07,447
That that ugliness was
part of me.

1149
01:02:07,530 --> 01:02:10,992
That it was my family
and it was my people.

1150
01:02:11,076 --> 01:02:13,203
The emotional stress
made me sick.

1151
01:02:13,286 --> 01:02:14,704
Physically ill, definitely.

1152
01:02:14,788 --> 01:02:16,414
I couldn't even work

1153
01:02:16,498 --> 01:02:18,249
because I would be
so doubled over and in pain

1154
01:02:18,333 --> 01:02:21,169
and so nauseous that
I would be throwing up.

1155
01:02:21,252 --> 01:02:23,296
I was incredibly
physically ill

1156
01:02:23,380 --> 01:02:25,882
for a period of years.

1157
01:02:27,467 --> 01:02:29,803
I can't overemphasize
how sick I was.

1158
01:02:29,886 --> 01:02:31,763
I was nauseous to the extent

1159
01:02:31,846 --> 01:02:33,848
where I could barely
talk to people.

1160
01:02:33,932 --> 01:02:36,393
And when I took
the job at Gabriella,

1161
01:02:36,476 --> 01:02:38,019
I just worked through the pain.

1162
01:02:39,729 --> 01:02:41,189
ADAM:
There's a fine line between

1163
01:02:41,272 --> 01:02:43,400
being a full-on genius

1164
01:02:43,483 --> 01:02:45,902
and a complete
basket case, you know?

1165
01:02:45,985 --> 01:02:49,239
So, it doesn't surprise me that

1166
01:02:49,322 --> 01:02:51,282
after seeing how Jim is,
to hear that

1167
01:02:51,366 --> 01:02:53,451
a couple of his brothers have
slipped, you know?

1168
01:02:53,535 --> 01:02:55,870
It's usually hereditary.

1169
01:03:01,209 --> 01:03:02,544
{\an8}JIM: I was
at the junior high,

1170
01:03:02,627 --> 01:03:04,045
{\an8}and it was the first I heard

1171
01:03:04,129 --> 01:03:05,880
{\an8}of one of my brothers
going crazy.

1172
01:03:07,966 --> 01:03:10,468
Jeff was kind of obsessed
with masculinity.

1173
01:03:10,552 --> 01:03:12,512
And he almost killed
his best friend

1174
01:03:12,595 --> 01:03:14,347
because of some
schizophrenic confusion.

1175
01:03:14,431 --> 01:03:16,141
He went to jail for a few years,

1176
01:03:16,224 --> 01:03:17,892
and nobody knew where he was.

1177
01:03:21,938 --> 01:03:25,358
And then my next brother,
John, became catatonic,

1178
01:03:25,442 --> 01:03:27,569
which is a very different
kind of schizophrenia from,

1179
01:03:27,652 --> 01:03:29,696
say, if you're manic.

1180
01:03:32,574 --> 01:03:35,035
He was just kind of
stuck in a position

1181
01:03:35,118 --> 01:03:38,246
with a look of pure terror

1182
01:03:38,329 --> 01:03:40,665
and horror on his face.

1183
01:03:40,749 --> 01:03:44,002
And he wouldn't move
his body at all.

1184
01:03:44,085 --> 01:03:46,921
He was even crazier
than my brother Jeff.

1185
01:03:54,012 --> 01:03:56,014
{\an8}And my third brother Tom, he. .

1186
01:03:56,097 --> 01:03:58,141
{\an8}his wife, she left,

1187
01:03:58,224 --> 01:03:59,601
and he never saw her again.

1188
01:03:59,684 --> 01:04:01,936
She had to. .
She had to hide,

1189
01:04:02,020 --> 01:04:04,939
because he was very crazy.

1190
01:04:05,023 --> 01:04:07,525
It's really. .
it's very extreme.

1191
01:04:13,948 --> 01:04:15,492
And my mother wasn't
actually even home

1192
01:04:15,575 --> 01:04:17,994
when. . my three brothers
were crazy.

1193
01:04:18,078 --> 01:04:19,871
We were living in Santa Cruz

1194
01:04:19,954 --> 01:04:21,664
with the three
youngest children,

1195
01:04:21,748 --> 01:04:23,291
with three
schizophrenic brothers,

1196
01:04:23,375 --> 01:04:26,044
and my mother was
in San Jose,

1197
01:04:26,127 --> 01:04:27,796
staying at a family apartment

1198
01:04:27,879 --> 01:04:29,798
to finish her math
at the university.

1199
01:04:29,881 --> 01:04:31,758
There was no parenting.

1200
01:04:37,138 --> 01:04:39,432
BILL: My mother was
such a bad cook.

1201
01:04:39,516 --> 01:04:42,560
Both Dan and Jim, um. .

1202
01:04:42,644 --> 01:04:44,312
had to learn how to cook
'cause my mother was

1203
01:04:44,396 --> 01:04:46,773
more interested in teaching

1204
01:04:46,856 --> 01:04:49,734
and reading mysteries
every day.

1205
01:04:49,818 --> 01:04:53,655
She wasn't really interested
in any kind of cooking.

1206
01:04:53,738 --> 01:04:56,950
Here's a shot of
what my mom used to do for fun,

1207
01:04:57,033 --> 01:04:59,536
and she would laugh
and cry and get emotional

1208
01:04:59,619 --> 01:05:01,329
about these kind of things,
but here's some of her

1209
01:05:01,413 --> 01:05:03,248
original math work.

1210
01:05:03,331 --> 01:05:05,166
With some pictures of us
around the back

1211
01:05:05,250 --> 01:05:07,001
and the foreground here.

1212
01:05:07,085 --> 01:05:08,878
But you can see
this is a typical page

1213
01:05:08,962 --> 01:05:12,465
of her. . entertainment.

1214
01:05:15,051 --> 01:05:18,722
JIM: She was pretty egotistical
about her math abilities.

1215
01:05:18,805 --> 01:05:21,349
Maybe she was just
remarking upon the facts.

1216
01:05:21,433 --> 01:05:24,644
She was just way better
than anyone else.

1217
01:05:28,273 --> 01:05:30,108
I mean, she studied
with the foremost

1218
01:05:30,191 --> 01:05:32,777
Fibonacci number theorist
in the world.

1219
01:05:32,861 --> 01:05:35,905
Kind of a hard thing
when someone is that smart.

1220
01:05:35,989 --> 01:05:38,783
And you think about, well,
where do I fit in, you know?

1221
01:05:38,867 --> 01:05:40,952
And then you realize
that you. . that you don't.

1222
01:05:49,294 --> 01:05:51,379
She ended up going
to the same hospital

1223
01:05:51,463 --> 01:05:53,423
and being locked
in the same psych ward

1224
01:05:53,506 --> 01:05:55,091
my brothers were locked in.

1225
01:05:57,093 --> 01:05:59,471
And I'm the one
that took her to the hospital

1226
01:05:59,554 --> 01:06:00,930
to be locked up

1227
01:06:01,014 --> 01:06:02,390
because none
of the other siblings

1228
01:06:02,474 --> 01:06:03,975
wanted to deal with it.

1229
01:06:04,059 --> 01:06:06,394
All the other family members
were like. .

1230
01:06:06,478 --> 01:06:08,521
they sort of. .

1231
01:06:08,605 --> 01:06:10,398
"Jim, you haven't
helped out enough,

1232
01:06:10,482 --> 01:06:12,567
so why don't you take Mom
to the psych ward?"

1233
01:06:16,488 --> 01:06:18,239
BILL: My mom was always
calling me and going,

1234
01:06:18,323 --> 01:06:20,575
"What're we gonna do
about Jim?

1235
01:06:20,658 --> 01:06:23,078
"He's never gonna make it.
Now he has a child.

1236
01:06:23,161 --> 01:06:25,705
Oh, God, what'll we do?"

1237
01:06:25,789 --> 01:06:28,041
You know, he's out there
with his little trailer

1238
01:06:28,124 --> 01:06:30,126
behind his bike in the rain.

1239
01:06:30,210 --> 01:06:33,380
Comes over to visit my mom,
and she's horrified.

1240
01:06:33,463 --> 01:06:35,924
She calls me
and tells me. .

1241
01:06:36,007 --> 01:06:37,801
"I don't know about him. "

1242
01:06:37,884 --> 01:06:39,803
[laughing]

1243
01:06:41,137 --> 01:06:43,932
She never got
to see him shining.

1244
01:06:49,604 --> 01:06:51,231
JIM: I was going through
a lot of trauma

1245
01:06:51,314 --> 01:06:52,774
in the mid-'90s

1246
01:06:52,857 --> 01:06:55,151
while my mother. .
getting Alzheimer's.

1247
01:06:55,235 --> 01:06:56,861
It was sort of
more than I could take

1248
01:06:56,945 --> 01:06:58,697
because it took me back

1249
01:06:58,780 --> 01:07:00,990
to when my brothers
became schizophrenic.

1250
01:07:01,074 --> 01:07:03,618
And really,
that's probably the real thing

1251
01:07:03,702 --> 01:07:05,620
that I was searching for,
in terms of finding peace,

1252
01:07:05,704 --> 01:07:07,872
was getting to a place
to understand

1253
01:07:07,956 --> 01:07:09,499
my brothers becoming insane

1254
01:07:09,582 --> 01:07:12,043
and really then
my mother becoming insane.

1255
01:07:12,127 --> 01:07:15,130
[soft music]

1256
01:07:25,265 --> 01:07:27,767
When my mother had dementia,
I was put in the position

1257
01:07:27,851 --> 01:07:31,896
of having to be really tough
when it's not really my nature.

1258
01:07:31,980 --> 01:07:35,734
I've been overwhelmed at times,

1259
01:07:35,817 --> 01:07:37,777
and about the same time,

1260
01:07:37,861 --> 01:07:40,030
I started dancing
twice a week,

1261
01:07:40,113 --> 01:07:42,699
and my improvisational dance,

1262
01:07:42,782 --> 01:07:45,243
which I did, you know,
twice a week for years,

1263
01:07:45,326 --> 01:07:49,164
was a dance
of simultaneously

1264
01:07:49,247 --> 01:07:52,959
being very strong
and also being very injured,

1265
01:07:53,043 --> 01:07:55,378
so, from. . weakness is
not the right word,

1266
01:07:55,462 --> 01:07:57,213
but it's like
a dance of being. .

1267
01:07:57,297 --> 01:08:00,425
constantly transcending
my condition.

1268
01:08:00,508 --> 01:08:02,969
The suffering that
I've been experiencing.

1269
01:08:03,053 --> 01:08:05,263
And the dance
sort of represented

1270
01:08:05,347 --> 01:08:09,351
the struggle to overcome
these challenges

1271
01:08:09,434 --> 01:08:11,144
and. . I mean,

1272
01:08:11,227 --> 01:08:13,271
the dancing thing was
very extreme.

1273
01:08:13,355 --> 01:08:16,107
I'm sure it scared the shit out
of people at the dance place.

1274
01:08:16,191 --> 01:08:19,194
But I was going through
this incredible psychic pain

1275
01:08:19,277 --> 01:08:20,904
every time
on the dance floor,

1276
01:08:20,987 --> 01:08:23,740
and. . it brought
about this idea

1277
01:08:23,823 --> 01:08:26,993
that creativity
and composition

1278
01:08:27,077 --> 01:08:28,953
would be like some exit

1279
01:08:29,037 --> 01:08:32,040
from whatever
I was going through.

1280
01:08:46,262 --> 01:08:48,431
I was making my way

1281
01:08:48,515 --> 01:08:52,102
out of truly
incredible suffering.

1282
01:08:52,185 --> 01:08:55,313
Just to mention it
in a verbal way

1283
01:08:55,397 --> 01:08:57,649
and talking about it
years later,

1284
01:08:57,732 --> 01:08:59,818
is like. .
there's no way

1285
01:08:59,901 --> 01:09:01,861
that I could ever emphasize
how horrible

1286
01:09:01,945 --> 01:09:03,988
and difficult it was.

1287
01:09:04,072 --> 01:09:08,284
It lasted all the way
into my early 50s,

1288
01:09:08,368 --> 01:09:11,621
where I was truly disturbed

1289
01:09:11,705 --> 01:09:14,457
when I'm sleeping,
thinking that

1290
01:09:14,541 --> 01:09:17,293
one of my crazy brothers was
trying to break into the house

1291
01:09:17,377 --> 01:09:19,337
and terrify my mother

1292
01:09:19,421 --> 01:09:22,173
or scaring the family
or something.

1293
01:09:22,257 --> 01:09:26,720
I was keyed up for any noise
that I heard any time

1294
01:09:26,803 --> 01:09:29,806
when I was sleeping
for decades of my life.

1295
01:09:29,889 --> 01:09:33,643
Just fearful that
something was coming

1296
01:09:33,727 --> 01:09:36,021
to, like. .

1297
01:09:36,104 --> 01:09:37,522
to hurt me or my family

1298
01:09:37,605 --> 01:09:39,607
or kill somebody.

1299
01:09:39,691 --> 01:09:41,317
It's weird to think of. .

1300
01:09:41,401 --> 01:09:43,403
it's taken all the way
into my mid-50s

1301
01:09:43,486 --> 01:09:45,071
to have it disappear.

1302
01:09:45,155 --> 01:09:47,407
It's literally gone,
but it took that long.

1303
01:09:51,828 --> 01:09:53,204
It's perfect.

1304
01:09:54,539 --> 01:09:58,168
We have some deer in a cage
behind that bush.

1305
01:09:58,251 --> 01:10:00,920
- Oh, really?
- That we release. .

1306
01:10:01,004 --> 01:10:04,799
at the second course,
and it'll pop out of the bush,

1307
01:10:04,883 --> 01:10:07,010
which. .
[laughing]

1308
01:10:07,093 --> 01:10:08,511
that'll be pretty cool.

1309
01:10:11,473 --> 01:10:13,558
{\an8}JIM: People can't help but. .

1310
01:10:13,641 --> 01:10:16,603
{\an8}be touched
by the natural aspect

1311
01:10:16,686 --> 01:10:18,563
of connecting.

1312
01:10:18,646 --> 01:10:20,190
That's a powerful
aspect of it

1313
01:10:20,273 --> 01:10:22,442
is that people can come
to the table.

1314
01:10:22,525 --> 01:10:24,903
Maybe they've had
the easiest life imaginable

1315
01:10:24,986 --> 01:10:27,155
{\an8}or the most difficult

1316
01:10:27,238 --> 01:10:29,324
{\an8}or anything
in between, but. .

1317
01:10:29,407 --> 01:10:31,993
{\an8}they're always gonna recognize
their common humanity,

1318
01:10:32,077 --> 01:10:34,913
where they sit at a long table
and share a dish,

1319
01:10:34,996 --> 01:10:36,998
and they have this dish

1320
01:10:37,082 --> 01:10:39,000
that feeds eight people,
and they recognize

1321
01:10:39,084 --> 01:10:41,961
{\an8}that little group
with the family-style dining.

1322
01:10:42,045 --> 01:10:44,214
{\an8}And they consider each person

1323
01:10:44,297 --> 01:10:46,508
{\an8}and whether each person has
had their share,

1324
01:10:46,591 --> 01:10:49,052
{\an8}and it's. .

1325
01:10:49,135 --> 01:10:51,137
{\an8}it's good for people.

1326
01:10:51,221 --> 01:10:53,348
{\an8}Effective.

1327
01:10:53,431 --> 01:10:54,766
{\an8}And that's just people

1328
01:10:54,849 --> 01:10:56,685
{\an8}being able to talk
to each other.

1329
01:10:56,768 --> 01:11:00,605
{\an8}Just people stepping outside
their own safety zones.

1330
01:11:00,689 --> 01:11:02,691
Shouldn't be
afraid of people.

1331
01:11:07,904 --> 01:11:10,281
Uh, I'm getting psyched
for today.

1332
01:11:10,365 --> 01:11:11,700
And then you're
gonna get psyched

1333
01:11:11,783 --> 01:11:14,577
for how many more sessions?

1334
01:11:14,661 --> 01:11:16,037
- I don't know.
- This year?

1335
01:11:16,121 --> 01:11:17,622
Maybe I'll go to all of them.

1336
01:11:17,706 --> 01:11:19,499
Maybe I'll go
to all 100 events.

1337
01:11:19,582 --> 01:11:21,418
Oh, no, you won't do that.

1338
01:11:21,501 --> 01:11:24,003
[laughing]
Maybe, like, 70%

1339
01:11:24,087 --> 01:11:25,922
Yeah, that's. .
that's enough.

1340
01:11:30,760 --> 01:11:32,929
{\an8}This is very important,
where the umbrella's going.

1341
01:11:33,013 --> 01:11:35,098
Key to the success of an event.

1342
01:11:48,236 --> 01:11:50,572
Looks good.

1343
01:11:50,655 --> 01:11:52,532
Look how much better it is now.

1344
01:11:52,615 --> 01:11:55,285
We can have, like, can have
all these umbrellas. .

1345
01:11:55,368 --> 01:11:56,911
ridiculous locations.

1346
01:11:56,995 --> 01:11:59,164
- Right.
- And it's all balanced.

1347
01:12:02,751 --> 01:12:04,627
[soft chatter]

1348
01:12:22,812 --> 01:12:25,523
- How's it going, Matt?
- Good, Jim.

1349
01:12:25,607 --> 01:12:28,151
So, there's gonna be
some Denevan family members

1350
01:12:28,234 --> 01:12:30,278
that were present
at the first-ever event.

1351
01:12:30,362 --> 01:12:32,072
- Really?
- Yeah.

1352
01:12:32,155 --> 01:12:34,199
Were they seat-fillers then,
Jim, or were they all

1353
01:12:34,282 --> 01:12:35,867
seat-fillers then?

1354
01:12:35,950 --> 01:12:38,244
We did have several
paid customers, Matt.

1355
01:12:40,038 --> 01:12:42,665
At least. .

1356
01:12:42,749 --> 01:12:44,250
over the years,
it's kind of like,

1357
01:12:44,334 --> 01:12:46,127
I'm not exactly sure
how many were paid,

1358
01:12:46,211 --> 01:12:49,756
but I think there was at least
30 people that were paid,

1359
01:12:49,839 --> 01:12:53,385
and at least
30 that were fake. .

1360
01:12:54,928 --> 01:12:56,638
customers.

1361
01:12:59,557 --> 01:13:01,226
I think.

1362
01:13:05,772 --> 01:13:07,982
{\an8}JIM: Life, to use
a cliché, it's a dance.

1363
01:13:08,066 --> 01:13:10,193
{\an8}Things are always changing
into something else,

1364
01:13:10,276 --> 01:13:11,861
every second.

1365
01:13:11,945 --> 01:13:14,239
Day turns into night
turns into day.

1366
01:13:14,322 --> 01:13:17,242
Seasons are cycling through.
The weather's changing.

1367
01:13:17,325 --> 01:13:20,495
People are sort of, like,
dancing through this. .

1368
01:13:20,578 --> 01:13:22,122
through this phenomenon.

1369
01:13:23,790 --> 01:13:26,376
And to walk out
when the tide's low

1370
01:13:26,459 --> 01:13:28,336
And do things and. .

1371
01:13:28,420 --> 01:13:30,839
Then retreat
when the tide comes in.

1372
01:13:30,922 --> 01:13:33,925
You're sort of, like,
you're like a bullfighter.

1373
01:13:35,552 --> 01:13:37,303
If you can do it
really gracefully,

1374
01:13:38,847 --> 01:13:41,099
then you go to sleep,

1375
01:13:41,182 --> 01:13:43,435
and you sleep peacefully.

1376
01:13:48,440 --> 01:13:51,443
{\an8}[soft music]

1377
01:13:53,361 --> 01:13:56,364
It's all very,
very meaningful.

1378
01:13:56,448 --> 01:13:59,034
Just being alive is
very meaningful to me.

1379
01:13:59,117 --> 01:14:01,036
Connections with people.

1380
01:14:01,119 --> 01:14:04,581
The connections
with. . with earth,

1381
01:14:04,664 --> 01:14:06,791
with land, with water.

1382
01:14:06,875 --> 01:14:08,334
With atmosphere,

1383
01:14:08,418 --> 01:14:10,795
and those things are
very profound

1384
01:14:10,879 --> 01:14:12,714
and powerful.

1385
01:14:12,797 --> 01:14:14,924
And. .

1386
01:14:15,008 --> 01:14:17,260
as to how to be
or how to do. .

1387
01:14:19,012 --> 01:14:21,139
two things.

1388
01:14:21,222 --> 01:14:23,725
Everybody's gotta be humble,
and I'm gonna try my best

1389
01:14:23,808 --> 01:14:25,560
to be humble
and not get in the way

1390
01:14:25,643 --> 01:14:27,520
of anyone's. .

1391
01:14:27,604 --> 01:14:30,398
understanding of themselves
or the world.

1392
01:14:30,482 --> 01:14:32,776
And. .

1393
01:14:32,859 --> 01:14:35,028
when I make a drawing,
or when there's. .

1394
01:14:35,111 --> 01:14:38,198
a seat at the table
that's offered,

1395
01:14:38,281 --> 01:14:40,367
people find themselves

1396
01:14:40,450 --> 01:14:43,495
in the composition
at the beach or elsewhere,

1397
01:14:43,578 --> 01:14:45,580
and they find themselves
sitting at a table,

1398
01:14:45,663 --> 01:14:47,874
and the conversations
that happen. .

1399
01:14:49,376 --> 01:14:52,128
at a table,
or the personal time

1400
01:14:52,212 --> 01:14:55,673
to stand
in a giant composition.

1401
01:14:55,757 --> 01:14:58,218
Those are for other people

1402
01:14:58,301 --> 01:15:00,220
to think about.

1403
01:15:04,391 --> 01:15:07,394
[percussive music]

1404
01:15:31,292 --> 01:15:34,254
[music continues]

1405
01:16:12,000 --> 01:16:15,003
[music continues]

1406
01:16:51,790 --> 01:16:54,793
[music continues]

1407
01:17:41,840 --> 01:17:45,468
[music continues]

1408
01:17:57,022 --> 01:18:01,317
VOICE: ♪ It was early
in the morning ♪

1409
01:18:01,401 --> 01:18:04,654
♪ Much earlier than ♪

1410
01:18:04,738 --> 01:18:07,657
♪ You would think to hear ♪

1411
01:18:07,741 --> 01:18:10,660
♪ The first bird ♪

1412
01:18:10,744 --> 01:18:13,496
♪ In the morning to. . ♪

1413
01:18:13,580 --> 01:18:16,541
♪ To sing ♪

1414
01:18:16,624 --> 01:18:19,586
2nd VOICE:
♪ It happens that ♪

1415
01:18:19,669 --> 01:18:21,755
♪ The bird doesn't sing ♪

1416
01:18:21,838 --> 01:18:24,090
♪ Of every sweet song ♪

1417
01:18:24,174 --> 01:18:25,633
♪ It happens ♪

1418
01:18:25,717 --> 01:18:28,803
♪ That the bird is a crow ♪

1419
01:18:28,887 --> 01:18:31,306
♪ The crow only sings ♪

1420
01:18:31,389 --> 01:18:35,643
♪ The most average of songs ♪

1421
01:18:35,727 --> 01:18:37,270
♪ And you know ♪

1422
01:18:37,354 --> 01:18:39,564
♪ Between ♪

1423
01:18:39,647 --> 01:18:44,986
♪ Between. .
between ♪

1424
01:18:48,573 --> 01:18:53,078
JIM: ♪ I used to milk cows ♪

1425
01:18:53,161 --> 01:18:54,829
♪ And now ♪

1426
01:18:54,913 --> 01:18:58,875
♪ I drive a plow ♪

1427
01:18:58,958 --> 01:19:03,004
♪ I just don't know how ♪

1428
01:19:03,088 --> 01:19:05,882
♪ My life has changed ♪

1429
01:19:05,965 --> 01:19:09,719
♪ It's different now for me ♪

1430
01:19:11,137 --> 01:19:14,766
♪ There was
and then isn't ♪

1431
01:19:14,849 --> 01:19:16,559
♪ There isn't now ♪

1432
01:19:16,643 --> 01:19:18,269
♪ But there was ♪

1433
01:19:18,353 --> 01:19:22,023
♪ There was, there was ♪

1434
01:19:22,107 --> 01:19:24,609
♪ Is ♪

1435
01:19:24,693 --> 01:19:26,403
♪ And was ♪

1436
01:19:26,486 --> 01:19:28,780
♪ Was and is ♪

1437
01:19:28,863 --> 01:19:31,241
♪ And was and is ♪

1438
01:19:31,324 --> 01:19:34,452
♪ Is and was and was ♪

1439
01:19:34,536 --> 01:19:37,080
♪ Was ♪

1440
01:19:37,163 --> 01:19:38,832
♪ And not anymore ♪

1441
01:19:38,915 --> 01:19:40,959
♪ For me ♪

1442
01:19:41,042 --> 01:19:42,961
♪ Not anymore for me ♪

1443
01:19:43,044 --> 01:19:44,754
♪ Not anymore ♪

1444
01:19:44,838 --> 01:19:50,009
♪ Not anymore for me ♪

1445
01:19:54,764 --> 01:19:58,560
♪ Fools. . ♪

1446
01:19:58,643 --> 01:20:03,440
♪ Fools. . ♪

1447
01:20:03,523 --> 01:20:07,569
♪ Fools. . ♪

1448
01:20:07,652 --> 01:20:09,154
♪ And kings ♪

1449
01:20:09,237 --> 01:20:11,156
♪ And kings and kings ♪

1450
01:20:11,239 --> 01:20:13,825
♪ And kings ♪

1451
01:20:13,908 --> 01:20:16,244
♪ But. . but the ♪

1452
01:20:16,327 --> 01:20:18,663
♪ But the. . but. . but. . ♪

1453
01:20:18,747 --> 01:20:21,875
♪ But the. . but. .
but. . but the. . ♪

1454
01:20:21,958 --> 01:20:24,753
♪ But. . but. . but the. . ♪

1455
01:20:24,836 --> 01:20:26,421
♪ The. . great. . ♪

1456
01:20:26,504 --> 01:20:28,465
♪ The. . but the. . ♪

1457
01:20:28,548 --> 01:20:31,509
♪ The. . but the. .
but the great. . but. . ♪

1458
01:20:31,593 --> 01:20:33,803
♪ But the. .
but the great. . ♪

1459
01:20:33,887 --> 01:20:36,514
♪ But the greatest love ♪

1460
01:20:36,598 --> 01:20:41,102
♪ The greatest love ♪

1461
01:20:42,937 --> 01:20:46,316
♪ Is. . ♪

1462
01:20:46,399 --> 01:20:50,111
♪ To be. . ♪

1463
01:20:50,195 --> 01:20:52,739
♪ Loved ♪

1464
01:20:52,822 --> 01:20:57,327
[guitar-picking]

1465
01:20:57,410 --> 01:20:59,120
Or love.

1466
01:20:59,204 --> 01:21:02,665
[all laughing]

1467
01:21:02,749 --> 01:21:06,503
{\an8}[whistling]